And so this will be my last post for 2016. I wouldn't say there have been any conscious changes to the blog, but the blog probably did change in subtle ways. I posted a bit less this year than in the past few years, mostly because I've been working the early shift since June of 2015. Before that, I had been helping Dad take care of Mom, up until she died, and that actually gave me more time to be on the computer.
I think a bigger change was that I felt like I did a lot fewer full-length posts on movies, which is part of a consequence of having to figure out what to write about when I get home in the middle of the afternoon. I guess one of my resolutions for the new year ought to be to be more conscientious about doing full-length reviews, although there is the problem that I don't think I've been able to watch quite so many movies as I was able to on TCM before Mom died. I've got a big backlog ov DVDs, as well as about 40 movies on the DVR. Unfortunately, the last movie I watched on the DVR, Pierre Étaix's Le Grand Amour, looked like it was out of print on DVD when I checked on Amazon. TCM claims you can get it courtesy of the Criterion Collection, and not at too bad a price since it's part of a box set. So maybe I will get around to doing a full-length post on it. (Several other B movies I recorded and watched don't seem to be on DVD, like Joe Smith, American.) But that would explain why I haven't done a full-length post on it yet. Probably tomorrow.
I'm also going to try to take part in at least some of the Thursday Movie Picks weeks. Probably not all of them, in no small part because I don't know quite enough about the TV challenges. Of course, those are liable to be slightly longer versions of list posts.
Happy New Year 2017 to everybody!
Saturday, December 31, 2016
And so this will be my last post for 2016. I wouldn't say there have been any conscious changes to the blog, but the blog probably did change in subtle ways. I posted a bit less this year than in the past few years, mostly because I've been working the early shift since June of 2015. Before that, I had been helping Dad take care of Mom, up until she died, and that actually gave me more time to be on the computer.
Posted by Ted S. (Just a Cineast) at 8:45 PM
A few weeks ago I blogged about the Mae West movie Night After Night, having bought a DVD box set that contains the movie. That particular DVD also had as an extra the short She Done Him Right. This is a 1933 short about "Pooch" the pup, directed by Walter Lantz, later of Woody Woodpecker fame. Pooch wants to see a canine nightclub act that looks suspiciously like Mae West. There are some fun sight gags, involving a "free" lunch, and the song "Minnie the Moocher".
The short is currently available on Youtube:
Posted by Ted S. (Just a Cineast) at 1:27 PM
Friday, December 30, 2016
I see that TCM has already announced its schedule change to program a bunch of movies in honor of the recently deceased Debbie Reynolds. They'll be giving the entire 24-hour schedule on Friday, January 27, over to Reynolds, although of course this means 6:00 AM Friday to 6:00 AM Saturday.
TCM already ran one of the one-minute TCM Remembers retrospectives on Reynolds; I saw that last night just before the prime time lineup. One thing that was slightly disconcerting is that in the same space between Inside Daisy Clover and Cool Hand Luke, there was also a promo for the January theatre showings of Singin' in the Rain that TCM is doing in conjunction with Fathom Events.
TCM is running Midnight Lace at 8:00 PM this evening as part of the salute to Star of the Month Myrna Loy. She's not the star, though; that would be Doris Day. Regular watchers of TCM would likely know this since Midnight Lace was on a Doris Day box set TCM was hawking in conjunction with Universal, which probably helped enable TCM to get a whole bunch of other stuff from the Universal library, mostly those old Paramounts to which Universal/MCA got the rights in the late 1950s. I wouldn't be surprised if this were a TCM premiere; I've seen the ad often enough that I've long been looking forward to a TCM showing of the movie, which I haven't seen before.
Posted by Ted S. (Just a Cineast) at 3:24 PM
Thursday, December 29, 2016
It's common for news outlets at the end of the year to remember the people who have died in the past 12 monts. TCM is no different, with its classy "TCM Remembers" piece each year. Also, for the past few years, they've spent one night of programming toward the end of December putting a spotlight on some of the people who have died in the past year.
Before the prime time lineup, however, TCM just happened to schedule Bullitt at 3:45 PM. Robert Vaughn is in that one, and he died not to long ago. But the original programming tribute was to start at 8:00 PM and run through early next morning as TCM looks at six of those who left us this year.
First, at 8:00 PM, there's George Kennedy dealing with a friend who eats lots of hard boiled eggs, in Cool Hand Luke.
Then, at 10:15, you can see Gloria De Haven in Two Girls and a Sailor.
At 12:30 AM, Alan Rickman has a supporting role in the 1995 version of Sense and Sensibility.
Patty Duke won an Oscar for flailing and screaming as Helen Keller in The Miracle Worker which will be on at 3:00 AM.
You won't see Marni Nixon, but you'll hear her provide the singing voice for Natalie Wood, in West Side Story at 5:00 AM.
Finally, Nancy Davis, before she married Ronald Reagan, shows up with her concern for alcoholic Ray Milland in Night Into Morning at 7:45 AM.
Posted by Ted S. (Just a Cineast) at 3:07 PM
Debbie Reynolds (r.) with Bette Davis in The Catered Affair
I mentioned somewhere else on Tuesday after Carrie Fisher died that her mother, actress Debbie Reynolds, was still alive, and that it's a terrible thing to have to bury one's own child. Well, Debbie Reynolds suffered a stroke yesterday, and died in hospital aged 84.
Reynolds (r.) with Elizabeth Taylor and Debbie Fisher
Reynolds is probably best known for her role in Singin' in the Rain, although I didn't have any good pictures of her from that one that I'd used on the blog, which is why I led with a photo of her and Bette Davis. I was hoping for a better photo of Reynolds jumping out of that cake, but the one at left was the best I could find on such short notice; I wasn't expecting Reynolds to die so suddenly.
Reynolds and Harve Presnell in The Unsinkable Molly Brown
Reynolds' Oscar nomination came quite a few years later, for The Unsinkable Molly Brown. In between, she made any number of entertaining movies, a whole bunch of which I've blogged about in the past. As far as I know, TCM hasn't announced any programming salute for Reynolds yet.
Wednesday, December 28, 2016
I was thinking about doing a post about what's coming up soon on FXM Retro. But first, a point. I was looking through future FXM schedules, and it looks as though the FXM Retro block is going to be continuing into 2017, which means I'm wrong again in my prediction of how long it would last. I gave it six months, and it's been five years now.
Anyhow, I was looking at the schedule for the next few days, and I saw a couple of movies that have been back for a little while. First up is The Day the Fish Came Out, which I already mentioned again back in June for being back on the channel. I first recommended it in August 2013 when it was in frequent rotation then. You can see that today at 1:10 PM and tomorrow morning at 11:30 AM.
And then there's Untamed, which will be on at 6:00 AM tomorrow. I first blogged about that one back in May 2013, but then mentioned it again back in March.
Finally, I'll point out that Fathom is on tomorrow morning at 4:00 AM and 1:20 PM. That one first got a mention back in March 2013, and his been on the schedule a couple of times the past few months.
It's slightly odd that all three were in heavy rotation back in 2013, and are once again back in heavy rotation. I can think of a whole bunch of Fox movies that haven't been on in ages, I don't think. And I'm not even really thinking of obscure movies, but some of the prestige titles. I can't recall the last time FXM/FMC ran Alexander's Ragtime Band, for example, and that was a Best Picture nominee. Thankfully, it's been on TCM a couple of times during 31 Days of Oscar, so I suppose it's possible that FXM don't currently have the rights to it. But All About Eve? Wilson? The Sand Pebbles? The Razor's Edge? Not that I necessarily like all of these, but they're all part of Fox's rich heritage.
Tuesday, December 27, 2016
Carrie Fisher as Princess Leia from one of the movies in the Star Wars trilogy
Carrie Fisher, who played Princess Leia in the Star Wars movies and was the daughter of actress Debbie Reynolds and singer Eddie Fisher, has died at 60 days after suffering a masive heart attack.
Carrie did a piece on her mother when Debbie Reynolds was Star of the Month on TCM, but I had a dickens of a time finding it since TCM's Media Room is screwed up -- every time I try to click on the second page of hits, instead of going to the next page it goes to the top of the first page. However, somebody seems to have posted it to Youtube:
While looking for that piece, I also found an interview Fisher did in the mid-1980s that may be of interest:
I don't know if TCM has updated its TCM Remembers piece for 2016 the way they did with Zsa Zsa Gabor. Of all the people they might have been expecting to die, I'm sure she was rather far down the list.
I mentioned a week ago the death of actress Michèle Morgan at the age of 96. I even mentioned her appearance in Passage to Marseille. What I didn't mention is that for those of you in the US, it's on TCM this afternoon at 1:00 PM.
Then again, I was out a good portion of the day yesterday celebrating Christmas with half my family. I got DVDs for everybody, trying to come up with stuff that was appropriate to their interests. Not that it's easy; my niece is an actuary and actuaries don't make for good Hollywood stories. So the closest I could think of was insurance fraud, and there goes a copy of Double Indemnity. Well, it's a good movie anyway. Her fiancé is studying toxicology. Time to think of a good movie that fits that for next Christmas....
In and around those movies about the elderly I mentioned yesterday, TCM is running the short Redd Foxx Becomes a Movie Star at 12:05 AM, between Grey Gardens (10:15 PM) and The Whales of August (12:15 AM). I've mentioned this short a few times before, but Foxx looks like he would have been the life of the party anywhere he went.
Posted by Ted S. (Just a Cineast) at 5:06 AM
Monday, December 26, 2016
Outside the movie world, the big news of course is the sudden death of singer George Michael, who was found dead in his house in Oxfordshire, England, yesterday, at the young age of 53. He's got an extensive list of IMDb credits, however, mostly because he was a fairly prolific songwriter as well as a singer, and the use of his songs in movies gets him credits in those interminable 20-minute closing credit rolls movies seem to have nowadays. That having been said, he was the subject of a 1986 documentary. When he was still a part of Wham! with his friend Andrew Ridgeley, the two were the first western pop artists invited to tour China, and that was made into a documentary, Wham! in China: Foreign Skies. The documentary is out of print. And as an interesting aside, the man who directed the documentary, Lindsay Anderson, would go on the next year to direct The Whales of August, which just happens to be on the Tuesday prime time lineup on TCM since it fits perfectly the TCM Spotlight on the elderly.
A more traditional movies obituary would be that of Gil Parrondo, who died over the weekend aged 95. He's the sort of person who doesn't get the mention the stars get, seeing that he worked as a production designer and art director. Those are the sort of people really needed to make the movies work, like say the cinematographers, but who never get as much credit as they deserve since they don't show up on camera and they're not quite in charge. Parrondo actually won two Oscars, for Patton and Nicholas and Alexandra, and was nominated for a third for Travels With My Aunt, which is also showing up in Tuesday night's lineup as it too deals with the elderly.
Sunday, December 25, 2016
Yesterday I watched Adam Had Four Sons off the eight-movie Mill Creek box set that I mentioned earlier this year when I blogged about Angels Over Broadway. (I really got the set for the Judy Holliday movies in it, The Marrying Kind and Solid Gold Cadillac.) Since the DVD set is currently selling on both the TCM Shop and Amazon for under six bucks, I have no qualms about mentioning even any crappy movies on the set. After all, you're getting at least a couple you'll like for that tiny price.
Adam Stoddard (Warner Baxter) is a stockbroker in 1907 living with his wife Molly (Fay Wray) and his four sons. Into this they bring a governess for the sons, lovely Emilie Gallatin (Ingrid Bergman). Emilie arrives and feels as though she's belonged there her whole life, and the sons take right too her. Unfortunately, tragedy strikes the family. First, Molly dies, and then a stock market panic hits, wiping Adam out. Adam's cousin Philippa (Helen Westley) is able to send the three oldest sons off to boarding school, but the fourth one has to move into a tiny apartment with Dad, and there's no room or money for a governess. Dad promises to bring Emilie back, however.
Fast forward several years. Dad is back on his feet, and does indeed bring Emilie back. Now, this makes no logical sense, since the kids are all grown up and no longer need a governess. But it's also obvious that Adam has had an emotional bond bordering on love for years based on the way Emilie helped the family through Molly's death. And Emilie feels something for Adam, despite how inappropriate all of this would be. If Emilie had been the head of all the servants, bringing her back would be one thing, but as a governess to four guys who still adore her platonically after all these years, you wonder how this got past the Production Code.
Thins are about to get a whole lot more interesting. It's World War I, and some of the sons have gone off to fight in the war effort, such as David (Johnny Downs). He was training in Canada since at the time he went of the US wasn't in the war yet, and while there he met Hester (Susan Hayward) and married her practically at first sight. Emilie sees through all this and just knows that Hester is a bad influence, and the one redeeming quality about Hester is that she's the only one who recognizes the inappropriate thoughts Adam and Emilie have but don't want to admit to. As for Hester's bad qualities, well, she hates the saintly Emilie, but worse, she's basically decided she's going to sleep her way through the family, taking up with brother Jack (Richard Denning). When Dad sees the silhouettes of Jack and Hester making out, he's loaded for bear. But wackily, Emilie intervenes so that Dad will believe Jack was with Emilie, not Hester. It's idiotic, but there you are.
And that's where I have huge problems. The actors all try their hardest, but the script is just so warped that nobody really rises above the material. Hayward probably comes off best, just because she's given the bad girl character, and that's something easier to sink one's teeth into. Helen Westley also does well in a supporting role as her character has plausible motivations. She also gets to have fun playing a quirky old woman who drinks gin straight and smokes cigars. The only thing they didn't do is dress her in tweed, but that may have been a step too far for the Production Code.
All in all, Adam Had Four Sons is a movie that's more worth watching to see where it goes wrong than for what it does well. But since it's on an ultra-cheap box set, dropping six bucks on it is no big deal.
Saturday, December 24, 2016
FXM Retro has, in previous years, run a very bad print of Alastair Sim's A Christmas Carol for 24 hours with commercial interruptions during the evening and then no commercials during the daytime. This year, it only looks like FXM -- the evening part, not the Retro part -- is running it four times between 7PM tonight and 3AM tomorrow. I think TCM ran it earlier this week, though.
I saw the TCM Remembers 2016 piece again last night after The Thin Man, and noticed that since Sunday, they've put in a clip of Zsa Zsa Gabor, which is a nice touch. With any luck, nobody important will die necessitating another hasty edit. Which brings me to...
Get well soon, Princess Leia. Yikes. Only 60, and her mother, Debbie Reynolds, is still alive. What a terrible thing to happen any time, but it must be even harder at Christmas.
Merry Christmas, everybody!
Posted by Ted S. (Just a Cineast) at 8:09 AM
Friday, December 23, 2016
With tomorrow being Christmas Eve, it's a good time to mention the movie Trapped in Paradise The movie is available on DVD, and pretty inexpensively too, so I'm more then OK doing a full-length post on the movie even though it doesn't seem to be coming up on TV before Christmas.
Brothers Dave (Jon Lovitz) and Alvin (Dana Carvey) Firpo are up for parole. But you have to think they're the least likely to deserve it, since Dave is endlessly manipulative while Alvin is a kleptomaniac. But we'd have a much different movie if the two guys didn't get released from prison, so they do get paroled, to the care of their brother Bill (Nicholas Cage), who manages a restaurant in New York City.
Of course, the two criminal brothers can't help but go back to their old ways, immediately robbing a convenience store cash register. And to make matters worse, Dave points out that the police found Bill's ID at the store, implicating him. So the three of them have to beat a hasty escape.
Thankfully, Dave and Alvin have a plan. While they were in prison, they heard about the town of Paradise, PA, which goes in for Christmas in a big way every year. It's a town that's so nice, it would be easy to take them for a ride, if you were a criminal. And we have two criminals here. Not only that, but they heard about how to rob the bank in Paradise in very great detail while they were in prison. So Dave and Alvin rope Bill into a cockamamie scheme to rob that bank.
Of course, as in any good heist movie, things don't go according to plan. Bill meets Sarah (Mädchen Amick) and feels an emotional bond toward her that's going to make robbing the place more difficult. But the bigger problems come after the three brothers do, in fact, rob the bank. A snowstorm hits, preventing their escape. The criminal from whome Dave and Alvin learned about Paradise finds out what happened and is none too happy about it. And Bill finds the townsfolk are just so nice that it's really a shame to rob them on Christmas Eve.
There is stuff to like about Trapped in Paradise. The whole premise of the townsfolk being nice to the point that they're pushovers makes for a light-hearted movie, which is exactly the tone material like this needs. But I think the movie also has serious problems, down to the leads. Nicholas Cage does his best, but is still slightly miscast. Dana Carvey just comes across as too dumb, as though you want to shake some sense into him. And John Lovitz, playing a manipulator, turns up the shtick to 11, making you want to smack him over and over again. Boy is his character irritating. I just watched the ending of Mildred Pierce again the other night, and Jack Carson plays an excellent smarmy. Jon Lovitz just makes it tedious.
Ultimately, I'd say that Trapped in Paradise is the sort of movie that's entertaining enough for the Christmas season, but that there a lot of more memorable movies.
Thursday, December 22, 2016
I used the Internet meme of a Simpsons newspaper cutting of Grampa Simpson yelling at a cloud to illustrate this week's post regarding the TCM Spotlight on the elderly. If I had known what was going to come in the news, I would have saved it for this post.
Director Martin Scorsese has made another film, this one called Silence about some Jesuit priests in Edo Japan, an era when the country was pretty much closed to foreigners except for a small section of Nagasaki. The Japanese government was extremely skeptical of foreigners. The end of this era is the subject of the studio-era movie The Barbarian and the Geisha, one of those movies where John Wayne shows he really could act.
Anyhow, with a new movie out, Martin Scorsese has to plug it in the media. And he's doing so by complaining about the state of Hollywood today. Apparently they don't want to make his kind of movie, woe is he.
Now, I've commented in the past that I tend not to care for movies that seem overly reliant on effects; I think it was explicitly in regards to the 1960 Village of the Damned that I mentioned yes the effects are lousy, but dammit if the story isn't really good. There's always going to be a place for good storytelling. But when similar comments come from a famous director, they really sound more like whining about time having passed him by.
For, as I've also mentioned, Hollywood has rarely had an original idea. The auteur theory types would argue that somebody like Orson Welles was original, and that the studio bosses hate-hate-hated him. But as for Hollywood, look at how many film series were churned out in the 30s. TCM will be running all six of the Thin Man movies tomorrow in prime time as part of the salute to Star of the Month Myrna Loy, and before the Charleses there were also the Philo Vance movies. And the Perry Mason movies.
And Hollywood has always been remaking its movies. Quite a few silents got remade once sound came along, but beyond that, there are classics which aren't the original version of the movie. I've mentioned before that the Humphrey Bogart version of The Maltese Falcon is the third version of the movie. And they remade their classics too; there are two remakes of It Happened One Night. So for Scorsese to bitch about what Hollywood is doing now -- especially when he's doing an adaptation of a novel, so it's not as if he really has an original idea of his own -- makes him sound to me like he's got a tin ear for Hollywood's history.
Posted by Ted S. (Just a Cineast) at 3:20 PM
Wednesday, December 21, 2016
French actress Michèle Morgan has died at the age of 96. She started her career in France, unsurprisingly, but like a lot of people did when the Nazis invaded, she made a hasty getaway and wound up in Hollywood. Her Hollywood career didn't go terribly well, with the best-known movies probably being Joan of Paris and Passage to Marseille. After the war she returned to Europe, where she appeared in The Fallen Idol and a whole bunch of French films.
One other thing I noticed is that there's an even older French actress who came to the US way back when, and who is still with us. As of the last time I checked yesterday, Danielle Darrieux is about four and a half months away from her 100th birthday at the beginning of next May. One of the local public TV channels has been running The Rage of Paris in which she starred opposite Douglas Fairbanks, Jr.
I see that tonight brings up another night of the irregular TCM series Treasures from the Disney Vault. This night's theme has to do with animals other than your regular Disney characters, who were of course mostly animals. I don't think I've heard of most of them, wih the exception of Old Yeller at 9:30. For some reason, even as a kid I liked the ending.
There are also two shorts, both based on children's stories, The Ugly Duckling and The Tortoise and the Hare, in the half-hour from 12:45 AM-1:15 AM. I'm surprised they couldn't get a third short, since most of the other installments have had a half-hour block of three one-reelers.
There also doesn't seem to be a Disneyland episode (or pick your favorite of the later names of the series) this go round. I've always wondered how much Disney controls the lineups for these evenings.
Humorously is that the night ends with something decidedly non-Disney, The Relaxed Wife at 5:45 AM.
Posted by Ted S. (Just a Cineast) at 5:24 AM
Tuesday, December 20, 2016
So tonight we get the third night of the TCM Spotlight looking at the elderly. Some of the "elderly" aren't quite so old, as in Ride the High Country at 8:00 PM, in which protagonist Joel McCrea was only in his late 50s; to be fair, antagonist Randolph Scott was seven years older.
One of the more famous older actors would have to be George Burns, who got a second career when he did the supporting role in The Sunshine Boys, airing at 2:00 AM. It was his first film in three dozen years, although he had done a lot of radio and television up until his wife Gracie Allen's death in 1964. One thing I didn't know about the movie before is that Burns wasn't supposed to get the role. Originally, it was supposed to go to Jack Benny, who even did a screen test. But Benny was diagnosed with terminal cancer before shooting could begin, which necessitated finding somebody else to take the part. Enter 79-year-old Burns.
The Sunshine Boys will be followed at 4:15 AM by another Burns movie, Going in Style. Burns was about five years older than co-star Lee Strasberg, who played one of Burns' elderly roommates; Burns' other elderly roommate was played by a man 20 years younger than him, Art Carney. Both movies are well worth watching if you haven't seen them before.
Posted by Ted S. (Just a Cineast) at 5:13 AM
Monday, December 19, 2016
We're at that time of the month when we get another Guest Programmer selecting the night's lineup on TCM. This month, it's Amy Heckerling, the writer-director who I guess would be best known for Fast Times at Ridgemont High. She sat down with Ben Mankiewicz to talk about four of her favorite movies, and those selections will be on tonight:
The James Cagney gangster movie The Roaring Twenties at 8:00 PM;
James Cagney trying to put on a show in Footlight Parade at 10:00 PM;
Marcelo Mastroianni trying to make a movie in Fellini's 8-1/2 at midnight Tuesday; and
the classic German expressionist silent movie The Cabinet of Dr. Caligari at 2:30 AM.
TCM has been running the trailer for The Roaring Twenties, which is presented by producer Mark Hellinger:
Posted by Ted S. (Just a Cineast) at 5:16 AM
Sunday, December 18, 2016
The death has been announced of actress and all-around celebrity Zsa Zsa Gabor, about a month and a half shy of her 100th birthday. Gabor, born in Hungary, wasn't exactly known for her quality films, as I think most of us below a certain age would remember her more as being known for being known. She was, however, one of the stars of Queen of Outer Space.
Gabor was married nine times, and at the time of her death was still married to husband #9. They had been married for 30 years, which is more than the first eight marriages combined. One of Zsa Zsa's earlier marriages, #3, was to George Sanders; that marriage would last a whopping five years. Sanders would later marry Zsa Zsa's siter Magda.
Apparently the posters on the TCM boards have mentioned seeing the TCM Remembers piece for 2016. It's been posted to Facebook (which I don't do) but not Youtube; it's also shown up on TCM itself. I tuned in yesterday evening after The Song of Bernadette*, but even though there was probably enough time to put it then, they didn't show it. It didn't show up this morning either, when I made the mistake of watching the end of Backfire, a 91-minute movie TCM shoehorned into a 90-minute timeslot.
If I had to guess, there's a substantial block of time after the end of In the Good Old Summertime between 1:45 PM and 2:00 PM where TCM doesn't have a short scheduled, so that looks like a good time for it to show up next. Or, perhaps, after any of this afternoon's movies. They're all scheduled in two-hour slots with no shorts on the schedule, and the longest of the movies is The Philadelphia Story at 112 minutes, plus an intro and outro.
*Speaking of The Song of Bernadette, TCM guest host Dana Delaney was given the information to tell us that director Henry King was nominated for a Best Director Oscar both for that movie, and the next year for the biopic Wilson. But whoever writes the intros and outros didn't think to mention that the next movie up was the one that beat King for the next year's directorial Oscar, Going My Way. It's always interesting to see what they do -- and don't -- say in the intros and outros.
Posted by Ted S. (Just a Cineast) at 8:51 AM
Saturday, December 17, 2016
A few months back, I bought a 3-disc collection of Mae West movies. Among the movies in the collection that I hadn't seen before is Night After Night.
Mae West is neither the star here, nor the female lead, this being her first film. The star is George Raft, playing Joe Anton. Joe owns a speakeasy in New York, assisted by high right-hand man Leo (Roscoe Karns). Joe's doing well enough for himself, but he's got some problems. One is Frankie (Bradley Page), a gangster who wants to buy the place what with this still being the Prohibition era and gansters not wanting competition.
Joe, however, seems more concerned with his romantic life. There's a woman named Healy (Constance Cummings) who comes into the place every night and sits alone. She seems much too high-class for Joe, so Joe has been taking lessons in being classier from Miss Jellyman (Alison Skipworth). Joes past, of course, threatens to make a mess of the whole situation. There's Iris (Wynne Gibson), a flapper type who seems to be a bit too much of ill repute. And then Joe gets a phone call from Maudie (Mae West). She's apparently returned from abroad, and would like to start seeing Joe again. Joe doesn't want this, presumably because it wouldn't look good to Healy or Jellyman, although it's never quite revealed what West's past is. (She does give an explanation, although you have to believe she's making it up.)
The main thrust of the movie has Joe pursuing Healy, who is also being pursued by Dick Bolton (Louis Calhern), and variously winning and losing her heart against backdrops of those other women and the gangsters wanting the place. To be honest, the movie is really a bit of a mixed bag. The main plot never quite goes anywhere -- or, at least, it veers wildly from one place to the next -- and it's more up to the comic relief to try to save the movie. Roscoe Karns does well as Leo, having to fix the messes created by Joe's inattention to detail. Skipworth also does well as Jellyman, both in her early prim-and-proper scenes and then later after she's had too much to drink. But, of course, it's Mae West who steals the show. She has a memorable first scene in which she responds to a coat-check girl who says, "Goodness, what beautiful diamonds!" with "Goodness had nothing to do with it, dearie." She then proceeds to worm her way into a dinner with Healy and Jellyman, teaching Jellyman a few things about how not to be the stuffy part of high-class all the time. West only gets three or four scenes, but she shines in them.
Several of the reviewers at IMDb say that Night After Night would probably be forgotten if it weren't for the presence of Mae West. I have to agree with this assessment. The movie is a run-of-the-mill pre-Code in many ways, up until Mae shows up, and then wow! The box set I got that included this movie is under $20, so it's not much to drop for nine movies. (And you get She Done Him Wrong, too.)
So I see that I failed to post anything yesterday. For some reason I thought I had posted something, but I realized this morning that, wait a minute, I hadn't posted anything first thing in the morning and then didn't post in the afternoon. So there you are.
I started this blog back in 2008 when I had a lot of time on my hands. Thanks to the economic downturn and having a mother diagnosed with dementia I wound up as a caregiver along with Dad, me more or less being home-bound with a lot of time on my hands. So it was easy to blog on a daily basis, only missing days when the internet service was out either due to equipment problems or the odd hurricane. (Oh, having a dementia patient not understand why the air conditioner doesn't work when the power is out thanks to a hurricane is just so much fun.)
But Mom died back in March 2015 and so I had to go out and get a real job, one that pays the bills. Which means that I have to be more vigilant if I want to make certain I blog every day, something I still want to do since I think it's a good habit to write every day. Thursday night I was up half the night sick in bed, and then after I got out of work I had errands to run and only got through half of them since the Christmas rush is so busy as you can see in pretty much any movie set in a store at Christmastime. I just didn't get around to posting anything after I got home late yesterday.
I watched something off one of my DVDs last night instead of off the DVR since I wanted to watch something I new was short, so I've got a full-length post coming up this afternoon on something that I fully know is available on DVD -- I just bought the DVD a few months back!
Then again, you know what they say about Robert Mitchum....
Thursday, December 15, 2016
I notice that at least one of the titles named to the National Film Registry yesterday is in the public domain, since it's from before 1923. That would be the 1916 version of 20,000 Leagues Under the Sea. No Kirk Douglas here, and no singing to Esmerelda the seal, since it's a silent movie. But since it's in the public domain, it's available on Youtube:
Of course, the Youtube printes aren't as well preserved as what we'll get after the Library of Congress is done. Or, at least, that what one would hope.
Wednesday, December 14, 2016
It's that time of year again, when we start getting year-end lists. Apparently there's still no TCM Remembers video, since I haven't seen anything about it on the TCM boards or the regular web-site. And nobody's posted it to Youtube either.
Another list that comes out toward the end of the year is the list of 25 titles selected by the National Film Registry for its preservation program. This year's list can be found here; I didn't realize Steamboat Bill, Jr. and The Birds were not already on the list. Of course, this isn't about preserving Hollywood's heritage per se; it's about selecting things that are historically, culturally, or artistcally significant. This is why past years have seen selections of the Zapruder film or flood documentary footage.
That having been said, unsurprisingly somebody on the TCM boards complained about the selection of some relatively recent films, such as The Lion King which, to be fair, is already 20 years old. Can you feel the hate tonight?
I think I've mentioned before that regular people can suggest movies. I did that a couple of years ago, but none of my selections have been picked.
Posted by Ted S. (Just a Cineast) at 3:19 PM
Tuesday, December 13, 2016
So I watched The Phynx off my DVR, having shown up in Summer Under the Stars for one of the many stars who shows up for the movie's finale to get a one-liner, I can't remember which star was being honored. The movie has a reference for being incredibly bad, but in fact it's not quite that bad.
Somebody is kidnapping the stars of Hollywood's golden age: Maureen O'Sullivan, Rudy Vallee, George Jessel, Leo Gorcey and Huntz Hall, and on and on and on. Actually, it's fairly well known who's doing it: the Communist government of Albania. All attempts to enter the country have failed. So how is America supposed to get its faded celebrities back?
Thankfully we have the folks at the Super Secret Agency working for us. They have a supercomputer named "Mechanical Oracle That Helps Americans", for the snazzy acronym MOTHA for advice. MOTHA is, like the supercomputer in Sex Kittens Go to College, shaped like a woman, but this one has the more interesting conceit that MOTHA delivers her answers on punch cards that come out of her snatch, as though she were delivering a baby. Really. Her brilliant idea is to created a pop band, called The Phynx, that the leader of Albania will want to invite over, and the band members can rescue all the celebrities.
We get a good half hour that really drags in which the musicians are kidnapped and trained at a secret base somewhere in the desert; I don't think any of the four musicians were trained actors. Then it's off to England, where they'll get their information on how to find the map of the secret passage into the Albanian castle where the head of state has all the celebrities holed up.
Actually, it turns out that the president of Albania, Markevitch (George Tobias) is being held there along with his wife (Joan Blondell) by the real power, Col. Rostinov (Michael Ansara). The Phnyx perform a song, and then rescue the celebrities, end of story.
There's a lot wrong with this movie, and you can understand why it was barely released and lay dormant for decades. The band isn't very good, and the music is ultra-derivative. Lieber and Stoller wrote the songs, and one gets the idea that they felt they had the task to come up with music that would fit as exemplars of a genre, rather than right real quality music. If that was their intent, they at least partly succeeded, for there's one song about traveling that really sounds reminiscent of The Fifth Dimension's hit "Up, Up and Away" -- maddening elevator music with lyrics. Almost all of the name actors are underused, and don't really get a chance to deliver good lines. Especially bad in this vein is what happened to young Richard Pryor, who appears in a scene towards the beginning. When they get to Albania, all the kidnapped celebrities are introduced on the equivalent of a red carpet.
There are, however, a lot of celebrities. I haven't mentioned the Lone Ranger and Tonto, or Johnny Weismuller, or even Col. Sanders. And as I said, as they're being spirited back to freedom, the camera gives each of them one shot to deliver a final line.
So what's to like about The Phynx? Well, some of the celebrities do make the most of their limited appearance. Notable among these are Martha Raye and James Brown. There's also an extended sequence in Rome, where the Phynx are looking for the final piece of the map. They're given x-ray glasses to do it (the map is tattooed on a pretty woman's abdomen), and this give the opportunity for several clever sight gags. One has a man chatting up a woman in a club, but when the glasses go on, we see that these are in fact two men, with the one dressed in men's clothes presumably having no idea the other one is in drag. And then there a gag of two young women stopping to talk to a couple of nuns. The other thing to enjoy about The Phynx is that there are so many scenes where you have to ask yourself, "What on earth were they thinking?"
The Phynx has been released to DVD courtesy of the Warner Archive, for the benefit of those who like to watch movies that are so bad they're interesting.
Monday, December 12, 2016
The news this weekend had a couple more stories about bombings in the Middle East, one from Istanbul and one from Egypt. With the snow here, I don't have the time more much more than another lazy list post, so I started thinking about what movies have terrorist bombings in them. (Obviously, a lot of war movies have bombs; that's different.)
Alfred Hitchcock immediately springs to mind, first with Sabotage back in the UK. I really like the use of the bomb in that one, even if Hitchcock himself later said he had severe problems with what he did in that plot. Several years later, fifth columnists (who are probably a subgenre of their own in the movies) bombed a navy launching in Saboteur, which is another of Hitchcock's really underrated movies.
Terrorists put a series of bombs in a transatlantic cruise ship in Juggernaut, and it's up to Richard Harris to defuse them. This is a surprisingly good movie that also doesn't get as much attention as it probably should. There's some really good black humor, and the terrorist plot's unraveling comes in a really unexpected way.
And then there's Terror on a Train, a movie MGM made over in the UK, I'd guess with blocked funds, sending over Glenn Ford so the movie would play well on this side of the Atlantic as well. He has to deal with a bomb on a train full of munitions.
For a bomb on a plane, you've got Van Heflin in Airport, one of the earlier of the big-budget all-star movies that made it to screens through the 1970s. (I don't know if you'd put Hotel from a few years earlier in that genre, or even The VIPs from the early 1960s. But The VIPs didn't have any real disaster; even Hotel had that faulty elevator.)
And of course you've got the bus that couldn't go slow in Keanu Reeves' movie Speed. For another bus-bombing movie, you have Busses Roar, another of those fifth-column movies from the early days of World War II, that's a fairly entertaining B movie.
Sunday, December 11, 2016
Over the weekend, I watched The Search off of my DVR, having recorded it during Summer Under the Stars when there was a day of Montgomery Clift's movies. It was released to DVD courtesy of the Warner Archive, and can be purchased at Amazon, although surprisingly, the TCM Shop has it listed as being on backorder. (Other Warner Archive movies aren't listed as being on backorder.)
The scene is Germany, 1946. The Allies have won World War II and are occupying Germany, and also dealing with all the problems that the war caused. Specifically, there are a lot of refugees from those people who survived the concentration camps, and most tragic of all are the children, most of whom probably lost their parents. Mrs. Murray (Aline MacMahon) works for the UNRRA, the United Nations agency dealing with the refugee problem, and finds that a lot of the children are terrified, simply because any time they see somebody in uniform, they immediately think concentraton camp guard. One young refugee (Ivan Jandl) seems to have no name and doesn't say much of anything, so they can't even figure out what his native language is. And then, when the UNRRA is shuttling children from the reception center to their next refugee camp, this kid and one of his friends make a break for it. The other kid drowns but this kid escapes, although the authorities see his hat floating on the water so they presume he drowned too.
Enter Ralph Stevenson (Montgomery Clift). He's a GI working with his superior Fisher (Wendell Corey), waiting to be demobbed because he's got a good engineering job waiting for him back in the States. He spots this lone little kid, and takes him in. It's difficult at first, since the kid won't speak at all, and wants to make an escape attempt every time he gets the chance. Eventually, though, Ralph begins to form a bond with the kid, whom he names "Jim", and even hopes he could take the kid to the States with him, although there's all sorts of red tape inherent in that.
Meanwhile, there's Mrs. Maliková (Jarmila Novotná). She survived the Holocaust and lost her husband and daughter, but is certain that her son survived. So she's been going from one refugee camp to another, looking for that son. Now, of course, we know that the kid survived. The name Karel Malik is briefly mentioned in the opening sequence, while the movie wouldn't be focusing so heavily on "Jim" having survived if he weren't in fact Mrs. Maliková's son. And we can also presume that the two are going to get together in the end, mostly because if the movie had any other ending, the audiences would have rioted.
So, as many movies in other genres (romantic comedies), we know where the journey is going to wind up. Watching this one is about how the movie gets to that ending, not what the ending is. And in that regard, the movie succeeds in spades. Montgomery Clift does well as the nominal star, even though we don't see him until almost a third of the movie has gone by. He was Oscar-nominated, even though I don't think the role has him do enough for that. Aline MacMahon really deserved a Supporting Actress nomination, although she didn't get it. I think she's even better than Clift, playing a woman who has a fairly thankless job of dealing with hordes of traumatized children and trying to find a future for them. It's a job that could harden anybody, and MacMahon shows the right mix of weariness and tenderness. Best of all is young Ivan Jandl. He wasn't a professional actor, and he's never cloying. It's a naturalistic and believable performance, and one that got Jandl a special juvenile Oscar.
One other thing worth noting is that a good portion of the movie was filmed on location in the bombed-out parts of Germany, just a few years after the end of the war. It was one of the first movies to do so, although this would happen several more times over the next few years before a lot of the ruins disappeared.
All in all, The Search is a movie that's highly worth watching.
Saturday, December 10, 2016
Yesterday, somebody over at the TCM boards posted a link to the National Film Preservation Foundation, of a bunch of mostly short films that have been preserved by various archives. They released a DVD box set years ago; I seem to recall TCM running a salute to the box set back around 2004, although according to the NFPF website it would have been 2005 in conjunction with the reissue of the box set. Then again, I wouldn't be surprisied if it were actually a different set; I distinctly recall the salute including a silent version of Lady Windermere's Fan. IMDb lists the 1925 silent version as having a 2004 NFPF print, although for some reason I had a feeling it was an earlier version:
Neither version of the movie is listed on the NFPF site above, although they might be someplace else on the NFPF site. And the 1925 version probably has a different copyright holder anyway. And to be honest, I was really posting about the NFPF site because unfortunately, I can't get the Flash videos to show up on it. I'm on Linux with Firefox; I don't even get anything telling me there's an embedded video the way I would on the old Youtube. Anybody else having problems?
Posted by Ted S. (Just a Cineast) at 8:25 AM
Friday, December 9, 2016
Today marks the centenary of actor Kirk Douglas, who is thankfully still with us. TCM, surprisingly, isn't doing anything for the day, while IMDb buried their photo gallery a good ways down the page after some of the celebrity gossip. I looked through my archives and found quite a few images; I didn't check the IMDb gallery to see if we've repeated any. (I didn't have any from Spartacus; I haven't watched it in ages.)
20,000 Leagues Under the Sea
The Bad and the Beautiful
Out of the Past
Ace in the Hole
Lust for Life
Seven Days in May
Paths of Glory
Granted, a couple of those aren't particularly good photos of Kirk, but to be honest, I had selected those photos back in the day for the other people in them: The Vikings for Tony Curtis' obituary; Out of the Past Jane Greer; and Detective Story for George Macready. And some of them probably shouldn't have been blown up like that either.
Posted by Ted S. (Just a Cineast) at 5:13 AM
Thursday, December 8, 2016
FXM Retro is running Air Patrol today at 6:00 AM and tomorrow at 4:45 AM, since you've probably missed this morning's airing. I can't recall if I've seen it, but I notice that it's directed by Maury Dexter, who churned out quite a few ultra-low budget quickies that Fox distributed in the 60s. Some of them are surprisingly good, such as, The Day Mars Invaded Earth. Others are interestingly awful, like Raiders From Beneath the Sea. Dexter's name on Air Patrol probably makes it worth watching then.
Tonight on TCM there are a couple of Tennessee Williams movies. Ugh. There are two showings of a version of The Glass Menagerie that, as I understand it, is actually a TV movie. Of course, they've been running the dreadful Carol for Another Christmas this December as well.
I'm more looking forward to tomorrow morning's look at Alice White, who was apparently quite popular in the early 30s, but who didn't make the best career choices. She was the other girl in James Cagney's Picture Snatcher, although tomorrow mornings are from even earlier in White's career. Lots of early talkies I haven't seen before on the schedlue. Well, three or four, and they segue into the Myrna Loy movies.
Posted by Ted S. (Just a Cineast) at 5:23 AM
Wednesday, December 7, 2016
Somebody on a non-movie forum I frequent once said that everybody should be an expert on something, I think in regards to somebody who had a website about obscure TV shows with prominent cowgirl characters which, outside of the Hollywood movie western, does seem a relatively esoteric subject.
I mention that because yesterday, somebody else somewhere else linked to a blog called The Suits of James Bond. Who knew there was enough to talk about, but with almost two dozen movies now, and a whole bunch of characters besides 007 himself, apparently there is.
Of course, Bond didn't get such a prominent clothing designer the way he got a stylish weapons designer like Q. And sadly, I don't have the money for nice suits like that.
Posted by Ted S. (Just a Cineast) at 4:59 AM
Tuesday, December 6, 2016
Another of the movies I watched over the weekend was Fire Sale. For those of you with FXM, it's going to be on twice tomorrow, at 3:30 AM and 7:55 AM; I'm not certain if it's available on DVD.
Russel Fikus (Rob Reiner) is packing his parents' car in the opening scenes of the movie; his parents Benny (Vincent Gardenia) and Ruth (Medford) are getting ready to go on a cross-country trip to Florida. This means that Dad is leaving the family department store in the capable hands of Russel. Or maybe not-so-capable, since Dad doesn't want Russel to do anything, even though Russel thinks he has good ideas on how to run the place. At least, he's got better ideas, since the place is going under financially. Russell would like to make a success of himself, since he's got a girlfriend at the store who won't marry him until he can make a success of himself.
Meanwhile, the other brother Ezra (Alan Arkin) used to be part of the store -- in one shot, you can see where the "and Sons" part of the store sign has had the S removed. But Ezra decided he'd rather be a basketball coach. Unfortunately, he's a failure of a coach, having only a 2-and-100something record as coach, and he fears he's going to lose his job if he can't win the Big Game. His wife Marion (Anjanette Comer) is needling him, since she wants a child and Ezra either cannot or will not provide her with one. He doesn't even want to adopt what with his job situation.
Back at the store, we learn what Dad's plan was for the place. He's got a brother-in-law Sherman (Sid Caesar) who lost a leg in World War II and, 30 years on, thinks the war is still going on. So Benny comes up with a plan: have Sherman escape from the VA hospital and burn down the store, thinking it's the local Nazi headquarters. Of course, if your crazy brother-in-law burns down the place, suspicion is bound to fall on you, but that's another story.
As I was watching this movie, I couldn't help but think of Little Murders. It's a movie that has some interesting ideas, but one where I find the execution unbelievably irritating. Having said that, I was reading some of the reviews at IMDb, and there were people who really liked it, comparing it to a later TV show like Arrested Development. I never cared for that show either, which might have something to do with my low opinion of Fire Sale. It seems that is more for people with the right sense of humor, and I just don't share that sense of humor. If you do, you may well enjoy this one.
Posted by Ted S. (Just a Cineast) at 5:12 AM
Monday, December 5, 2016
So I watched Stray Dog over the weekend, having DVRed it when TCM ran it on Akira Kurosawa's birthday back in March. TCM lists it as being available from the TCM Shop, although being part of the Criterion Collection it's a bit pricey. In any case, since it is available, I'm comfortable doing a full-length post on the movie. And it's well worth watching to boot.
Toshiro Mifune playd Detective Murakami, a young police detective who joined the Tokyo force after serving in the Japanese army in World War II. The story begins with Murakami being distraught over the fact that he's lost his service weapon, a Colt pistol. This being Japan, firearms are pretty unknown outside the government and the yakuza, and another gun falling into their hands is a problem for Murakami. He's going to have to investigate, and he's desperate to find his gun before it's used for evil purposes.
He first goes to the larceny unit, where they've got huge files of all the known pickpockets, cross-indexed by age, sex, modus operandi, and so on. This leads Murakami to a woman who is probably just a fence. But he wouldn't know where to find the woman, so partnering Murakami on the case is the veteran Det. Sato (Takashi Shimura). Sato knows how things work, and can tell what Murakami is doing wrong in the investigation. Anyhow, the investigation quickly leads to the underworld, and Murakami is forced to wait and wait until a tout will take him to one of the gun lenders.
The case gets more urgent for Murakami when there are a couple of shootings, and Murakami, having found one of the bullets he fired at the practice range, is able to confirm that the shootings were committed with the gun that was stolen from him. Murakami feels incredibly guilty about it, and feels a personal responsibility in solving the case.
Eventually, the key witness is Harumi (Keiko Awaji), a chorus girl whose boyfriend is the gangster Yusa. Yusa can get Harumi nice things, in a time not long after Japan's total defeat in the war, when nice things are very hard to come by. But at what price will those things come?
Stray Dog is a very well-told story, and a very well-made movie. Watching the movie, I almost got the impression of Kurosawa wanting to show that he could do any genre, except for the fact that this came at the beginning of his career, when he wouldn't have had as much choice in projects. The opening scenes of Murakami losing his gun somewhere along the bus ride home reminded me very much of the early scenes of Pickup on South Street with Richard Widmark picking a woman's purse, although since the focus is on the victim here, we don't actually see who did it. But this and the first scenes of the investigation make me wonder whether the folks behind Pickup on South Street saw this one.
The story is also set at the height of summer, and the sweltering heat is almost a palpable character, inevitably giving way to thunderstorms just as the movie is about to reach its climax. You might think this is a cheap cliché, but Kurosawa has the genius to use this as a vital plot point later in the story. In addition to the heat, the other well-photographed thing is the Tokyo as it was in the late 1940s, just a few years after that war. A lot of the people live in pretty dire conditions which look even worse than what Hollywood was able to put on screen. Japan as it was, as well as a scene set at a baseball game, are interesting historical artifacts.
Ultimately, Stray Dog is a movie that would fit in well with the Hollywood noir cycle that was happening at the same time this movie was made. It's very accessible for people who might think having to sit through two hours of subtitles might be a slog. It's a shame that it's not better known.
Sunday, December 4, 2016
TCM is honoring the 90th anniversary of Vitaphone tomorrow, even though the film that started it all, Don Juan (airing on TCM at 6:00 AM Tuesday), actually premiered in August 1926. I suppose TCM couldn't do the anniversary then thanks to Summer Under the Stars. I think I've mentioned before that Don Juan didn't have any dialogue, but did have a synchronized score and sound effects. In conjunction with the New York premiere, there was a series of shorts that were done, some with just instrumental music, some with singing, and one of MPPDA head Will Hays talking about the new technology:
That short is going to be on in the first prime time slot tomorrow, which is a block of shorts going from 8:00 PM to 9:45 PM. And herein lies the problem. TCM is running a whole bunch of Vitaphone shorts. While it's nice to see those Vitaphone shorts, and TCM does run a fair number of them between movies when they've got an extra 20 minutes or so to fill, running a block of them together always screws up the TCM schedule. The monthly schedule which I downloaded just before the start of the month has a different running order from the TCM online weekly schedule. And oftentimes the satellite box guide has a third running order. So figuring out the exact time one specific short is going to air is nigh on impossible.
Also apparently scheduled in that early prime time slot is Baby Rose Marie, a 1929 one-reeler. Rose Marie would, of course, go on to do the Dick Van Dyke Show in the 1960s, but she was a juvenile star first:
Don Calfa died on Thursday at the age of 76. I didn't recognize the name at first, but you might remember him as Paulie, the hitman who's trying to kill the good guys in 1989's Weekend at Bernie's. He was also in Return of the Living Dead, although I haven't seen that one; Calfa's career also saw him do a lot of small roles on both the big and small screens.
And then there's child star Billy Chapin, who died on Friday aged 72. His best known role would probably be as the older brother who protects both his kid sister and her doll stuffed with $20,000 in Night of the Hunter. All along the way, he's trying to stay one step ahead of evil Robert Mitchum:
I haven't watched enough TCM to see if they've run the annual "Parade of the Dead", AKA the year-end TCM Remembers piece, yet. Has anybody seen it?
Saturday, December 3, 2016
So there was a message on the TCM boards about a guest host for TCM for December, actress Dana Delany. She apparently did a segment of the Trailblazing Women spotlight in October, although I didn't watch the segments. Anyhow, a search for something on TCM's official site didn't reveal anything, but did find this tweet:
So, I can finally tell you. I have the GREAT honor of hosting @tcm in December! And the sublime Myrna Loy is 🌟of the month! Every Fri & Sat!— Dana Delany (@DanaDelany) December 2, 2016
If the tweet doesn't show up properly, go here; it also has the replies including some nice vintage photos of Myrna Loy.
I didn't get to see any of the intros last night; I showed up toward the end of the first film and then switched to watching something off my DVR; more on that next week since the movie is coming up on TV soon. But the upshot of not having actually watched any of Delany's intros is that I can't comment on how good she is.
As you can tell from the tweet, Delany will be on TCM Fridays and Saturdays this month.
Posted by Ted S. (Just a Cineast) at 8:21 AM
Friday, December 2, 2016
Bob Hope died in 2003. His wife of 69 years, Dolores, died eight years later. The estate left behind a house in Palm Springs, and one in Los Angeles. It's expensive to maintain, so the Hopes' daughter Linda has decided to sell it in order to raise funds for the Hopes' charitable foundation.
Not so fast. Apparently work on the property involves demolishing some outbuildings, and the Hopes must have ticked off somebody, because a Los Angeles City Councillor has taken unto himself the attempt to make the house a historic landmark. Really. Note that because he's a politician, he doesn't have to pay anybody one red cent to try to do this; it's all the taxpayers' money going to any efforts he'd make. And if the city actually bought the property, not that they're going to, it would be the taxpayers paying for this politician's vanity.
In the article where I first read it, not at the Hollywood Reporter, somebody made this trenchantly cynical (and factually incorrect) comment:
Most likely, Hope's single level ranch home would have part of it renovated. That renovation is going to include a second story addition. That addition is going to block a view on the neighbors property. I'll put money on it that the neighbor contacted Ryu [the councillor trying to make the historic landmark designation] about designating the home as a landmark, thus preventing this type of renovation.
In fact, the pictures at the Hollywood Reporter show the house already has two stories. But you can't help but think that somewhere along the way, Linda ticked off somebody, and they've decided to try to extract their pound of flesh.
So far the councillor has been rebuffed. But I doubt we've heard the last of this story.
Myrna Loy (l.) with William Powell; don't ask me which of their dozen or so movies it's from
For the people who paid ridiculous sums to join the TCM Backlot, TCM ran a contest to pick the Star of the Month for December: they had a choice between Bette Davis and Myrna Loy, and Loy won. (It probably should have gone to centenarian Kirk Douglas, but that's another story.) Loy's movies will be airing on Fridays, mostly in prime time, although actually starting earlier. Loy is probably best remembered for all those movies with William Powell, through which she became known as the "perfect wife". It wasn't just with Powell that she had that on-screen reputation; she would be the wife opposite Fredric March in The Best Years of Our Lives and then opposite Cary Grant in Mr. Blandings Builds His Dream House:
But her career actually started with small roles in silents; I for example am looking forward to Noah's Ark coming on at 3:00 PM which I've never seen before. And then up until about 1934, Loy played a lot of exotic vamp types. It's these earlier roles that are getting the spotlight this first Friday in December. I'm also curious about The Squall, overnight at 2:15 AM. And at 7:00 PM, there will be a 1990 documentary, Myrna Loy: So Nice to Come Home To.
Thursday, December 1, 2016
So I was on an internet forum I frequent last night, and unsurprisingly, people made comments that involve Youtube links, as is part of the commenting culture there. Normally I can click on the links, just see the title of the video, and get the joke.
But this time, the videos autoplayed! For the longest time, I had Flash turned off so that Youtube videos wouldn't start loading by default, until I clicked and told the site too. I don't have unlimited bandwidth, so it's a way to save bandwidth. But it turned out these weren't Flash videos. These were HTML5, which is the new standard (as I understand it an official web standard since 2014, although it's been in development for years before that).
My guess, therefore, is that Youtube has completely gotten rid of the possibility of having Youtube play Flash and is pushing everybody to HTML5. Uploading videos would remain unchanged, since Flash is basically just an application for playing the videos, and this is all on Youtube's side. If you look at any of the posts where I've embedded a Youtube video, those all seem to remain the same. The point isn't to break old videos, which would be a massive inconvenience to everybody, but to change on Youtube's end the application that plays them. If you do it right, and everybody knows how website changes don't go well, it should be a seamless thing for the end-user. (Youtube, of course, has had years to work out the kinks; it's just us late adopters who see the changes now. I still use IMDb's old format for displaying pages.) But it was irritating having to find the Firefox setting to turn off autoplay.
Has anybody else noticed a change?