The Maltese Falcon, 1931 -- GAYER AND SLUTTIER THAN THE HUMPHREY BOGART REMAKE (Obviously not as good, though. I mean, it doesn't ask us to believe that Mary Astor is a femme fatale who has had sex, so that gives it a leg up on the John Huston version, but still. Only worth watching as a comparison to the classic. And I don't think being as overt about sexual matters makes much of a difference -- it's still incredibly clear that Bogart and Astor bone, that Joel Cairo is super-mega gay, and that Gutman is giving it to poor Wilmer in the 1941 remake.)
Read the whole thing, as they say.
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