I've stated two different general thoughts on MGM over the years. One is that, as probably the most prestigious Hollywood studio, they brought a lot of gloss to movies that would have benefitied from having no gloss. The other is that, once the Freed Unit musicals really got going, it was the other stuff made that's really a lot more interesting. Both of those thought came to mind as I was watching Glory Alley.
The movie is ostensibly set in New Orleans, although it's the MGM backlot's version of New Orleans, which has all the connotations you can think of. Working for one of the newspapers, although about to retire, is columnist Gabe Jordan (John McIntire), who tells his editor that he's never told the full story of boxer Socks Barbararossa (Ralph Meeker). So, as you can guess, we're about to get a flashback that tells us... the rest of the story. Wait, this isn't Paul Harvey, either the radio man or the character actor.
Some time in the past, before the Korean War (the movie was released in June 1952), Socks is about to fight a title bout. But as he's in the ring, he looks up at the very bright ring lights, and realizes... he can't go ahead with the fight! So he just gets out of the ring right then and there and goes to his dressing room in the basement to hide from everyone. Not quite everyone; there's his manager Peppi (Gilbert Roland), trainer of sorts Shadow (Louis Armstrong), girlfriend Angela (Leslie Caron), and Angela's blind father The Judge (Kurt Kasznar). Now, since Leslie Caron had a French accent, she and her dad are portrayed as having fled France when the Nazis occupied it, with Dad hoping to get the family assets back and Angela training to become a nurse to get the money for Dad to have an operation. Except that that last bit is only what Dad thinks; Angela in fact dances in one of the dive nightclubs which brings in rather more money. Anyhow, why did Socks just up and leave the ring? The full reason isn't explained until the end of the movie, but Socks looks at himself in the mirror and sees some of the toll boxing has already taken from him.
Peppi buys a bar of his own while Socks lets himself go, drinking heavily to the point that he's going to have to accept a pity job at Peppi's place. Peppi holds the contract of one other fighter, "Newsboy", which he gives to Socks. Socks intends to raffle off the contract to get some money and to get out of the boxing game for good, but he and Newsboy both get drafted to serve over in Korea. Then, in a truly nutty twist, Socks is able to show some real bravery and win the Congressional Medal of Honor, except that's an award he doesn't really want although he can't really sell it legally to make money.
Socks returns from Korea, and eventually tells Angela the real reason why he left the ring just as he was about to fight for the title, and... everyone lives happily ever after? Yes, basically that's what happens, and the "official" reason Socks gives for running away from that previous title fight is one that makes no sense.
In fact, the movie as a whole doesn't make much sense, seeing as how it veers wildly from one genre to the next. The characterizations are also all wrong. Ralph Meeker is asked to play something much too gentlemanly for a boxer who came up from poverty. Leslie Caron was most likely cast here because it was just after An American in Paris made her big. With her French accent, the studio had to make her character French, necessitating that back story. The melodrama with Dad's operation is an odd thing to shoehorn in here. Even worse is how the movie suddenly switches to the Korean War, looking like a cheap B movie at the same time it's doing this.
So Glory Alley goes wrong in so many ways, and yet that's something that actually makes the movie interesting, to watch how it goes so badly wrong. Not good, mind you, but interesting nevertheless.
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