It's New Year's Eve, which means special programming on many channels, and TCM is no different. They've put a bunch of Alfred Hitchcock movies on in the morning and afternoon, starting with a short he made in the UK during World War II as part of the war effort, Aventure Malgache, at 6:00 AM ET. The salute concludes with Thelma Ritter eating James Stewart's toast points in Rear Window, at 6:00 PM.
Now, you may ask, what's so special about a bunch of Alfred Hitchcock movies? Especially when Hitchcock is one of the people whose work I've recommended the most over the past two years? In and of itself, nothing. However, somebody in the TCM programming department decided to be a bit evil in a delightful way: the Hitchcock movies are followed by five of The Thin Man movies.
I wish I had thought of it first.
Thursday, December 31, 2009
It's New Year's Eve, which means special programming on many channels, and TCM is no different. They've put a bunch of Alfred Hitchcock movies on in the morning and afternoon, starting with a short he made in the UK during World War II as part of the war effort, Aventure Malgache, at 6:00 AM ET. The salute concludes with Thelma Ritter eating James Stewart's toast points in Rear Window, at 6:00 PM.
Posted by Ted S. (Just a Cineast) at 12:13 AM
Wednesday, December 30, 2009
The first night of TCM's Star of the Month salute to Humphrey Bogart included Two Against the World, in which Bogart played a member of the sensationalist media. Tonight's prime time Bogart lineup starts with a movie looking at much the same issue, only from a diametrically opposite perspective: Deadline USA, at 8:00 PM ET.
Bogart stars as the editor of The Day, a struggling big-city newspaper that's on the verge of folding in its current format: the publisher has died, and the publisher's widow (Ethel Barrymore, in a very good performance) has decided on the advice of her lawyers to sell the paper to a rival publisher who wants to turn it from a "serious" paper into a tabloid-type newspaper. Worse for poor Bogie, he's been so busy married to the paper that he's almost forgotten about his legal wife (Kim Hunter), who's about to walk out on him.
Into all of this floats a lovely dead body in a high class fur coat. It's fairly obvious that this as some gangster's moll, and while all the tabloids will be thrilled to run the story with screaming headlines and lurid photos, Bogart wants to do more: he thinks this is the perfect story to use as an entry into an exposé on the mob. That having been said, there's not much time for Bogart, since he's up against the deadline of The Day's sale, as well as the obvious people who don't want the story to be told. But Bogart's editor character is the stereotypical righteous and incorruptible man who will go to the ends of the earth to pursue his story and get it out, even if it means standing athwart the presses yelling "STOP!" (And yes, there is a "Stop the presses!" scene in this movie.)
Despite the fact that Deadline USA plumbs a lot of the same depths that the newspaper dramas of the 1930s and 1940s did, and succumbing to many of the stereotypes, it's still a pretty good movie. Bogart gives a good performance, the aforementioned Barrymore is excellent (it's too bad she made about 20 movies from None But the Lonely Heart in 1944 through the end of her life, but almost nothing in the 20 years before that), and there are a lot of good stock newspapermen here: Ed Begley, Paul Stewart, Jim Backus, and the like. Unfortunately, Deadline USA has not been released to DVD, so you're going to have to see it on TCM tonight, or not at all.
Tuesday, December 29, 2009
TCM's prime-time lineup is honoring some of the people who died in 2009. The night kicks off with On the Waterfront at 8:00 PM ET, which included Karl Malden in the supporting cast, and which also won an Oscar for its writer, Budd Schulberg; both of them died over the summer. I don't know that I've written a full post on On the Waterfront; at least, a search of the Blogger site claims that I haven't done so yet.
Following On the Waterfront, at 10:00 PM, will be TCM's tribute to director John Hughes, Ferris Bueller's Day Off.
Then, at midnight, you can watch the late Ricardo Montalban in the excellent World War II movie Battleground.
The last honoree of the night is Patrick McGoohan, who appeared in Ice Station Zebra, which TCM is showing at 2:15 AM.
There are a lot more people who died this past year, of course, but it would take TCM several days to honor them all with more than just a film clip.
Monday, December 28, 2009
The Fox Movie Channel is showing one of Dietrich's smaller performances: that in No Highway in the Sky, tomorrow at noon ET.
The star of the movie is actually James Stewart, playing Theodore Honey, a widowed American aeronautics engineer living and working in the UK with his daughter. He's been working on the design of the Reindeer, a new type of commercial airplane that's gone into service recently, and has come to a frightening conclusion: there's a design flaw that will lead to metal fatigue, and a component failure after a relatively small number of hours of service. His colleagues don't believe him, largely because he's terribly absent-minded and somewhat aloof, too. His suspicion grows, however, when one of the planes breaks up over Newfoundland, and the company sends him across the Atlantic to investigate. Unfortunately for him, though, he's on another Reindeer plane, and one that's perilously close to the amount of service at which it will suffer equipment failure? What's an absent-minded mad scientist to do? Well, one thing Dr. Honey has done is to set up an experiment in the lab, subjecting the plane components to similar stresses as it would suffer in real-world service, although the experiment hasn't had enough time to run its course before Honey has to board the flight to Canada, and it might just fail anyway.
This is James Stewart's film all the way, and he does a fine job. His Dr. Honey is the sort of character that Stewart excelled at playing after his service in World War II: it's a darker character, with an uncomfortable side to him, and not entirely likable despite the fact we know he's the hero and presumably going to be right in the end. It's a much more real person than appeared in a lot of Hollywood movies, but one right up Stewart's alley. As for Marlene Dietrich, she plays one of the passengers on the flight who's seated next to Stewart. The good engineer spends as much time as he can on the flight trying to explain to her that everybody's in mortal danger, and for fairly obvious reasons, she doesn't particularly believe it, although as the flight wears on, she does grow more sympathetic to Dr. Honey's plight. Also appearing is Glynis Johns, playing a stewaress on the flight. Both actresses do a fine job, although it's only in support of Stewart's character.
No Highway in the Sky is an interesting if not perfect movie, and one that somewhat surprisingly hasn't made its way to DVD, so you'll have to catch the Fox Movie Channel's showing.
TCM has been honoring director Frank Capra on Monday nights this month, and tonight is the final night of that tribute. There are repeats in more ways than one: Capra remade some of his movies over the course of his fairly long career, and TCM is playing the originals followed by the repeats. I've already recommended Lady For a Day in the past, and even then I pointed out that Capra later remade it as Pocketful of Miracles. The two movies are airing back to back, at midnight ET and 1:45 AM respectively.
Before that, however, TCM is showing a pair of movies I haven't seen about heiresses and horse racing: Broadway Bill at 8:00 PM, with Myrna Loy falling in love with Warner Baxter over a horse; followed by the remake Riding High, with Bing Crosby as the male lead.
Posted by Ted S. (Just a Cineast) at 8:39 AM
Sunday, December 27, 2009
I notice that today marks the birth anniversary of the lovely Marlene Dietrich. I've recommended a few of her movies, but was surprised to see that when I recommended Witness for the Prosecution, I hadn't been bothered to find a photo that goes with the movie, which is a bit of a shame since both Marlene Dietrich and Charles Laughton give such good performances in the movie. So, here they both are.
Of course, in Witness for the Prosecution, we only see Dietrich in black and white. She did make a few movies in color, and when she was younger, she was even more lovely to look at. Such a lovely movie is The Garden of Allah, which I've also recommended in the past. At least in that case, I had the good sense to find some photos, since the movie is so gorgeous to see. (But not so much to watch, since the plot is so inane.)
Posted by Ted S. (Just a Cineast) at 10:11 AM
Saturday, December 26, 2009
Friday, December 25, 2009
It has been quite some time since I've mentioned Cavalcade, the Best Picture Oscar winner for 1933. It's a Fox movie, and I've commented in the past about the Fox Movie Channel's apparent strategy of showing a relatively small number of movies from its library, running them over and over for several months, and then retiring them for a few years. It's been years since Cavalcade aired, since I would have brought it up earlier had the Fox Movie Channel shown it more recently. That having been said, it's finally back, airing at 7:30 AM ET tomorrow. As evidence of FMC's strategy, Cavalcade is currently scheduled for another airing on New Year's Eve, and two more airings in January.
That having been said, January 1, 2010, in being the first day of the new year, also seems to be the first day for some of Fox's old movies to show up again on the FMC, including some I've recommended here in the past.
TCM is showing the short Let's Talk Turkey at approximately 2:00 PM ET today, following Christmas in Connecticut. This is one of the hundred or more shorts produced by Pete Smith for MGM from the early 1930s through the early 1950s. Smith had a comedic talent for finding the humorous aspects of everyday life, and his shorts usually have the actors remain silent while Smith provides the humor in his voiceover.
In the case of Let's Talk Turkey, that humor revolves around a newlywed man who has to carve his first holiday turkey -- and, the wife wants him to carve it in front of her family, because she's oh so proud of him. Smith first has an "expert" show us how the task is correctly done, and that expert performs the task accurately and efficiently, quickly ending up with very nice and appetizing pieces of meat, much like on those TV cooking shows. Of course, whenever you try reproducing what the TV chefs do, the result never quite seems to live up to what you see on TV, and that's the case in this short.
It's perfectly entertaining for a one-reeler, and doesn't overstay its welcome.
Thursday, December 24, 2009
TCM is sprinkling a number of Christmas-themed shorts in among the Christmas movies they're showing up until 8:00 PM Christmas night, such as Star in the Night, which will be airing about 12:35 AM overnight tonight, following Chicken Every Sunday.
This retelling of the Nativity tale stars Naish as the proprietor of a desert inn, proud of the big new lighted star he's put on his roof as an advertising symbol. It's Christmas Eve, and our innkeeper is dealing with problems of his own, as well as the fact that the place is full up, and everybody who's a paying customer has problems of their own that are weighing on the proprietor too.
Into all that walks a young couple conveniently named José and Maria. Maria is highly pregnant, and might just have the baby tonight. This puts a pretty big crimp on everybody's plans, but, it's Christmas, so everybody decides to pitch in and make some scrificies of their own for the couple that's got even bigger problems.
It's hokey stuff, to be sure, but then again, it's also Christmas. I've been arguing that a lot of the great Christmas movies are pretty silly, but we watch them because they're also comforting. Star in the Night is no different, except that it's got to pack all of its schmaltz into two reels and the incredibly tight budget that the shorts were under.
Star in the Night has also made its way to DVD, as an extra on a release of Christmas in Connecticut (which I recommended last week, but will be airing againt at 12:15 PM ET on Christmas).
Wednesday, December 23, 2009
1930s comedian Joe E. Brown was known for making strange faces in his movies, but that's not the kind of face-making I have in mind today. For, coming up at midnight ET tonight, TCM is showing Dark Passage. The basic gist fo the story is that Humphrey Bogart has been wrongly convicted of murdering his wife, and breaks out of jail in an attempt to clear his name. In order to stay a step ahead of the police, he undergoes plastic surgery, and comes out of it looking amazingly like Humphrey Bogart. This works because the film has a gimmick: the first 45 minutes or so (until Bogart wakes up from the plastic surgery) are filmed as though we're looking through Bogart's eyes. We never actually see what he looked like before the surgery, so for all we know he could have looked like James Cagney, or even Marie Dressler.
There are actually quite a few movies dealing with plastic surgery. Perhaps the best of them all is Eyes Without a Face, although the criminal here isn't the person undergoing the surgery, but the surgeon himself. For an example of escaped convict undergoing plastic surgery in order to conceal his identity in classic Hollywood, there's always Raymond Massey in Arsenic and Old Lace.
The face is the obvious way of concealing one's identity, and Raymond Burr uses this idea in His Kind of Woman: he lures Robert Mitchum to Mexico, with the idea that Mitchum will undergo surgery to be made to look like Burr, at which point Burr would have the Mitchum character killed off so that the authorities would think the ganster had died. (Ever heard of fingerprints and dental records?) A more exotic form of plastic surgery would be Roger Moore as James Bond getting a superfluous third nipple to look like the bad guy in The Man With the Golden Gun.
Perhaps Humphrey Bogart should just have dressed up as Lauren Bacall once he got out of prison. Of course, that's been done multiple times.
Tuesday, December 22, 2009
Veteran voice actor Arnold Stang has died. IMDb list his date of birth as 1925, but his family revealed the actual date to be 1918, making Stang 91. Stang did voices for one-reeler cartoons in the 1940s and 1950s, although perhaps his best-known voice work was as Top Cat in the Hanna/Barbera cartoon of the early 1960s. Stang also did live-action work on both TV and in the movies, although almost all of it was in supporting roles of the sort that would have been filled by character actors in a previous generation. The picture at left is Stang, with Frank Sinatra, in The Man With the Golden Arm. Stang also appeared as one of the gas station attendants who sees his station destroyed by Jonathan Winters in It's a Mad, Mad, Mad, Mad World, and as a gangster who's a houseguest of Jackie Gleason in Skidoo.
Monday, December 21, 2009
Or, Jane Fonda does comedy. One or both is the message of the movie Sunday in New York, airing at 4:00 PM ET this afternoon on TCM.
Fonda plays Eileen, a woman facing a bit of a moral quandary. She's engaged to be married, but her fiancé is pressuring her to have sex before marriage, which she's not so sure she should do. So, she goes down to New York City, to get some advice from her older brother. (Like that's a good idea.) Big brother Adam (Cliff Robertson) tells her she really doesn't have to have sex, and probably shouldn't. But that's a pretty big double standard. Adam, who is a pilot, has his one day off on this Sunday in New York, and he's determined to spend it bedding his girlfriend. And his little sister's visit has put a pretty big kink in his plans. He and his girlfriend go out to try to avoid getting the dreaded call that he has to sub for another pilot on a flight, and when that call comes, lil' sis goes looking for him, literally running into writer Mike (Rod Taylor) along the way. It's love at first sight....
Eventually, our heroine ends up back at the apartment with Mike, having taken him there to get him out of his wet clothes and into a bathrobe so that he can dry off before going back home. But before his clothes can dry, who should show up? Eileen's fiancé Russ (Robert Culp)! She can't tell him that she's got some strange man in just a bathrobe in the apartment, so Mike and Eileen go forward with the lie that Mike is actually Adam. This might just work, if only Adam doesn't suddenly show up (well, it is his apartment). Oh dear, what's a girl to do?
Sunday in New York is a movie that's a bit dated now; after the sexual revolution, almost nobody would be worried about the idea of having sex before getting married, and the ones who didn't want to would seek each other out to the point there wouldn't be any problem. Not only that, but the movie, while possibly seeming a bit racy compared to TV fare of the day like The Dick Van Dyke Show, is really quite tame by 2009 standards. And let's not ask how somebody living on a pilot's salary can live in such a posh Manhattan apartment. Instead, what Sunday in New York shows is that you've got quite a few actors who are better at comedy than one might normally think. Fonda did Cat Ballou and a few other light comedies in her younger days, but Robertson and Taylor didn't do so much. It's nice to see that they were able to carry it off fairly well. Sunday in New York is by no means the best movie ever made, and there's nothing groundbreaking about it, either. It's just one of those competent, enjoyable movies.
Sunday, December 20, 2009
TCM is showing a bunch of "epics" today, and I don't particularly feel like commenting on any of them. The Fox Movie Channel isn't showing much of interest, either. So, it's off to IMDb to see who's got a birthday today....
And wouldn't you know it, but somebody I've mentioned twice within the last week has a birthday today: Dennis Morgan, who was born on this day in 1908.
Posted by Ted S. (Just a Cineast) at 8:41 AM
Saturday, December 19, 2009
Tonight's TCM Essential, at 8:00 PM ET, is the wonderful comedy The Man Who Came to Dinner.
That man is Monty Woolley, here in the form of popular radio critic Sheridan Whiteside. He's on a speaking tour, and as part of a stop at some small city in the Midwest, he's been invited to dinner at the home of social climbers Ernest and Daisy Stanley (Grant Mitchell and Billie Burke). However, as he's walking up to the steps into their house, he trips on the ice, breaking his leg. This forces Sheridan into a wheelchair, as well as being forced to stay in the home of the Stanleys for some weeks.
Sheridan immediately sets about becoming the most obnoxious houseguest ever. Since he thinks the Stanleys are at fault for his predicament, and because he's naturally arrogant and self-centered, he insists that they give over the entire ground floor of the house to him and his personal assistant Maggie (Bette Davis, who gets top billing even though Woolley is the real star). This enforced stay in the Midwest has actually been good for her, as she finds herself falling in love with local newspaper reporter Bert Jefferson (Richard Travis). When Sheridan discovers this, he imports actress Lorraine Sheldon (Ann Sheridan) to try to take the man away from Maggie. That, however, is not the only thing Sheridan imports; he gets poor put upon nurse Mary Wickes; a brief appearance from Jimmy Durante, doing his best Harpo Marx impersonation; and even several penguins.
The penguins are evidence that The Man Who Came to Dinner is a fairly wild comedy, but it's also a very urbane comedy. It's based on a Broadway play that was hugely popular in the early 1940s, with Woolley in the main role, and includes a lot of references to events and people who would have been well known to the literati of the time. Despite the fact that this dates the movie for younger viewers, most of the comedy translates to any time, making The Man Who Came to Dinner one of the great underrated comedies.
Friday, December 18, 2009
One half of the above photo is a publicity still, the other half is a comic strip. I'm not sure which is which. Both, however, have to do with Prince Valiant, a movie version of which was made in 1954 and is showing tomorrow at noon ET on the Fox Movie Channel.
Set "in the days of King Arthur", the story in this version involves Norse Prince Valiant (Wagner, complete with a ridiculous wig) having to deal with the fact that his father (Donald Crisp) has had his throne taken from him. So, Valiant goes to England to enlist the help of King Arthur (Brian Aherne), or at least become a Knight of the Round Table and solve problems himself. Valiant's love interest, Aleta, is played here by Janet Leigh, who at least looks the part, while Aleta is also being chased by Gawain, who is played by a terribly miscast Sterling Hayden. There's also evil, in the form of James Mason....
Truth be told, Prince Valiant isn't all that good; it's more fun to watch because of all the big names put in the wrong roles. If you want to ask yourself what poor Sterling Hayden was thinking, you'll get that in spades. If you like swashbuckling, Middle Ages style, with a lot of location shooting, the movie is enjoyable enough, but nothing great, being a bit formulaic and fitting into the genre like a hand in glove. (That's both a plus and a minus; the minus being that you wonder if everybody was just going through the motions.) It'll probably be fairly entertaining for the kiddies, too. If you're trying to introduce people to classic cinema, however, this isn't the movie to do it with. Start with the Errol Flynn version of The Adventures of Robin Hood.
Amazingly, Prince Valiant got a DVD release.
Jennifer Jones in Portrait of Jennie (1948)
Oscar-winning actress Jennifer Jones has died at the age of 90. I've posted a photo of her from Portrait of Jennie, since that's one of my favorite pictures in which she appears, but that's not the movie that won her the Oscar; that was several years earlier in The Song of Bernadette.
Jones was married first to fellow actor Robert Walker, and the two played young lovers in the 1944 movie Since You Went Away, hich must have been tough on them since by the time they were making that movie, their marrige was failing. Eventually, after the marriage ended, Jones went on to marry the film's producer, David O. Selznick, who exercised quite a bit of control in selecting parts for Jones (both before and during the marrigae). Indeed, it was only reading the obituaries that I saw Fox wanted Jones to play the role in Laura that eventually went to Gene Tierney.
Jones retired from moviemaking at a fairly young age, having stopped appearing regularly in the mid-1950s, and making only a few films in the 1960s before her swan song, the 1974 all-star disaster epic The Towering Inferno. Partly as a result of not having made movies for so many years, and partly because she by nature wanted to remain very private, Jnoes isn't as well-remembered today as other actors from her era.
Thursday, December 17, 2009
TCM has been showing Christmas movies on Thursdays in prime time this month; tonight starts off at 8:00 PM ET with the enjoyable comedy Christmas in Connecticut.
Barbara Stanwyck stars as Elizabeth Lane, a woman writing a Martha Stewart-style column for a popular national magazine, constantly mentioning her Connecticut farmhouse and all the wonderful homestyle things she does there. This all goes well until her publisher, Alexander Yardley (played by Sydney Greenstreet), decides he wants to do something for the war effort at Christmastime. That involves having a sailor, Jefferson Jones (Dennis Morgan) spend the holiday with Miss Lane. There's only one problem with this, and it's a big problem. Elizabeth can't even boil water, and her food columns documenting her life in Connecticut have been a complete fabrication; in fact, Elizabeth is an elegant New Yorker with a fine apartment and a taste for the high life. What's such a woman to do? She knows she's going to lose her job if the truth comes out, so she decides to make a new truth, that being the one she's been writing about in her columns.
Needless to say, it's no easy feat. Things get even more complicated when the two leads fall in love, since Elizabeth has been writing about having a husband and baby! But, this is a Christmas movie, and you know that, despite all the comedic entanglements that come from trying to keep up a lie by spinning ever bigger lies, everything is going to come out right in the end. Along the way, though, we get a lot of fun from Stanwyck, who was really adept at comedy, and a supporting cast that glitters. In addition to Greenstreet, there's Una O'Connor playing yet another housekeeper; Reginald Gardiner playing Stanwyck's "husband", actually in love with her despite the fact that she feels nothing for him and a lot for poor Dennis Morgan (who can't quite figure out what's going on), and the ever-enjoyable S.Z. Sakall as the chef who has been providing Elizabeth with all her recipes.
Christmas in Connecticut is nothing groundbreaking, but at the holiday season, it's not always important to have something big and important and snazzy; the same old warm things often do. And Christmas in Connecticut does wonderfully; it's an eminently likeable movie that knows it's nothing more than entertainment, but good entertainment at that.
Wednesday, December 16, 2009
TCM is showing Casablanca once again, at 10:00 PM ET tonight, as part of the Star of the Month Salute to Humphrey Bogart. I've mentioned Casablanca quite a few times before, and am really only pointing it out today because tonight's entire TCM lineup is a good one for introducing people who don't know so much about classic movies to he topic. The night starts off with The Maltese Falcon at 8:00 PM ET, which is another movie that even the casual fan should have heard of. In addition to Bogart, it has Peter Lorre and Sydney Greenstreet (both of whom show up in Casablanca), as well as Mary Astor as the girl. The characters are wacky enough, and the story engaging enough, for the movie to be good and nearly timeless. It is, of course, a remake of a 1930s movie, and both are based on the novel by Dashiell Hammett. Plus, it's got the iconic line about "the stuff that dreams are made of".
The night continues aftre Casablanca with two more equally good (and fairly well-known) Bogart movies: The Treasure of the Sierra Madre at midnight, and The African Queen at 2:15 AM. They're all good for the not-so-big fan of old movies. And, as I've argued a few times before, it's good that TCM spends some nights doing this, and not just programming the more obscure stuff like The Return of Doctor X. After all, how many people would realize they might want to try something like The Return of Doctor X without realizing that old movies can be a lot of fun in the first place?
Posted by Ted S. (Just a Cineast) at 9:26 AM
Tuesday, December 15, 2009
TCM is honoring Humphrey Bogart as the Star of the Month for December by showing his movies in 24-hour blocks every Wednesday this month. Tomorrow has one of Bogart's more bizarre films, The Return of Doctor X, at 7:00 AM ET.
This movie was made before Bogart became a big star, so he doesn't show up for a bit. Instead, the movie starts with reporter Wayne Morris interviewing actress Lya Lys in her hotel, and returning later to find her dead! The only thing is, she's not actually dead, as she shows up later seemingly alive, albeit white as a sheet. Our intrepid reporter has some doctor friends, though, so he tells one of them (Dennis Morgan, another reasonably big star surprisingly stuck in a B-movie), who finally decides to join the investigation when a blood donor at his hospital dies. That investigation reveals that every patient with one obscure blood type is going missing. Why?
Well, as is the case in any good horror flick we've got two mad scientists (or a mad doctor and his assistant) on the loose. John Litel is the respectable one, and Bogart is his extremely Caucasian and clammy assistant. That whiteness isn't caused by ethnicity, though; it's a result of a lack of his own blood. Bogart had, in a past life, been a doctor who was executed for his role in a crime several years earlier. Litel's doctor character has been studying synthetic blood, and the possibility of revivifying lower animals -- and even people! However, the blood isn't perfect, as it doesn't give humans the normal skin tone, and it's not a permanent solution either. That would explain why so many people go missing: Bogart needs more and more of their blood!
I suppose I've been a bit misleading in the post title, in that Bogart isn't really playing a vampire here. That having been said, what he is playing in The Return of Doctor X is something quite strange and interesting. This is the sort of movie that had been made the entire decade, with there even being an original Doctor X, which is pretty much unrelated to this one. It's not much better or worse than those other horror flicks, although because it came out much later, there's not much original to it. Indeed, it's the presence of Bogart that makes this film so interesting. This character is so different from everything else he did, and a testament to the studio system -- one can't imagine Bogart picking a role like this of his own volition (and supposedly, he hated this movie). Still, even if it's not that great a movie, it's enjoyable and, at just a little over an hour, not that big a waste of time.
The Return of Doctor X has made its way to DVD, even in a box set with a bunch of other fun horror flicks from the 30s.
Monday, December 14, 2009
TCM is putting the spotlight on director Frank Capra every Monday night in December. The movie I'd like to recommend this week is American Madness, airing at 5:15 AM Tuesday.
Walter Huston stars as Dickson, an unconventional bank director in the early days of the Depression. He's got the same sort of belief that George Bailey would have 15 years later in It's a Wonderful Life, that the true strength of the bank lay in the individual depositors, and that it was therefore important ot approve their small loans. This drove the other directors nuts, to the point that they wanted him to resign from the board so that they could merge with another bank. Some of the bank employees liked him, however, such as his secretary (Constance Cummings) and her boyfriend, Huston's assistant (Pat O'Brien). However, there's also another bank officer who's gotten into some financial problems with gambling, and the only way he can get himself out is to let them rob the bank. So, he fiddles with the vault's alarm system timer, implicating O'Brien.
This sets off a string of problems. In addition to O'Brien's being accused of the crime, the bank robbery starts a whispering campaign. Like a game of "Operator", the whispering from one person to the next results in ever higher amounts of money being given as having been lost by the bank, and the depositors become afraid that they're about to lose all of their money. So, they do the logical thing, which is to start a run on the bank. O'Brien, of course, has an alibi: at the time the bank was robbed, he just happened to be in the other officer's apartment. Conveniently, he also saw the other guy carying on an affair with Huston's bored wife -- which makes him reluctant to divulge his alibi, since it would devastate Huston if he found out his wife was cheating on him.
American Madness is never dull, although it's not quite as good as the social commentary movies that were being put out by Warner Bros. at the same time. Walter Huston is one of the more underrated actors of the 1930s, and he gives another very good performance here. Pat O'Brien is Pat O'Brien, which depending on your point of view is either a good thing or a bad thing. I'll be charitable and say he doesn't get in the way of the action. The woman are serviceable, and Gavin Gordon, the actor playing the officer with a gambling debt, shows why he was always relegated to secondary roles. (You can see him in another secondary role tonight, that of Barbara Stanwyck's fiancé in The Bitter Tea of General Yen, at 8:00 PM ET.) Those who enjoy spotting the character actors will also notice Sterling Holloway, whose voice made him somebody you can never overlook. The highlight of the movie, however, is probably the bank run scene, which is grittier than that in It's a Wonderful Life, and probably more realistic, too.
American Madness is one of Frank Capra's lesser known movies, which is one of the reasons it hasn't made its way to DVD yet. So, you'll have to catch the TCM showing tonight.
Sunday, December 13, 2009
I can't believe it's been 15 months since I recommended Our Vines Have Tender Grapes. It's airing at 8:00 PM ET tonight on TCM, as part of a tribute to notorious Communist screenwriter Dalton Trumbo. Despite having some stuff towards the end about sharing and the "evils" of wanting more, Our Vines Have Tender Grapes isn't nearly as strident as some of Trumbo's other stuff. One of those more strident movies is the second Trumbo movie airing on TCM tonight, Johnny Got His Gun. That, however, is not the second repeat I'm recommending.
Instead, the second repeat is the the Silent Sunday Nights feature, the 1925 version of Ben Hur: A Tale of the Christ. This is the original feature version of the the Roman epic (apparently, there was a two-reel version made all the way back in 1907 that still survives); the four-hour marathon from 1959 starring Charlton Heston is better-known, and will be airing next Sunday (the 20th) on TCM.
Saturday, December 12, 2009
TCM is showing the fun romantic comedy Theodora Goes Wild tomorrow morning at 8:00 AM ET.
Irene Dunne stars as Theodora. She lives in a small town in Connecticut and, unbeknownst to the townsfolk -- or the spinster aunts she lives with (Spring Byington and Elizabeth Risdon) -- she's written a novel. The reason that nobody knows this is because it's a novel almost as steamy as Peyton Place. Having written the book, she has to go to New York City to deal with the publisher, although she's also got an uncle and cousin living there. At the publisher's, she meets the book's cover illustrator, Michael (Melvyn Douglas). He doesn't know anything about her real identity and she, not wanting to give away any hints, tries to portray herself as worldly.
However, things don't go according to plan, and Theodora leaves some ID at Michael's apartment, leading him to come out to Connecticut to figure out what's really going on. In order to buy off his silence, Theodora hires him as the family's gardener. But, it turns out that Michael has a secret too: he's estranged from his wife, and would divorce her if it weren't for the fact that his father is running for political office and the divorce would scupper his chances of election. Still, when Theodora's secret gets out, she decides to reveal Michael's....
Theodora Goes Wild is a pretty wild screwball comedy. Irene Dunne did quite a few of them, notably The Awful Truth, but Melvyn Douglas did slightly more urbane stuff like Ninotchka. Although the movie is a bit predictable in its attitudes toward the straitlaced small towns of the day, it's still quite enjoyable, thanks in no small part to excellent performances from the two leads. For whatever reason, though, Theodora Goes Wild isn't as well-remembered today as other screwball comedies of the era. Thankfully, however, it has been released to DVD, so despite its relative obscurity, you don't have to wait for TCM to show it again.
TCM is showing The Man Who Shot Liberty Valance at 3:15 PM ET today. Jimmy Stewart stars as the man, and Lee Marvin as Liberty Valance, in this story about how somebody becomes a legend in the Old West.
However, the movie starts with the funeral of John Wayne, and tells the story in flashback. I was going to do a story on how this technique has been used in the movies a number of times. But, I did that post back in July. However, at the time, I hadn't mentioned The Barefoot Contessa, which uses a similar structure, and which just showed up on TCM the other day.
Posted by Ted S. (Just a Cineast) at 8:37 AM
Friday, December 11, 2009
I've made mention of D.O.A. in passing in a couple of my posts, and am pleased to see that it's airing today at 5:15 PM ET on TCM.
Edmond O'Brien stars as an accountant in a sleepy California town who has to go to San Francisco one weekend. On his first night out, he goes to a bar where he gets the hangover to end all hangovers: he wakes up the next morning sick enough to have need of a doctor, and the doctor kindly informs him that somebody slipped him "luminous toxin" in his drink, and that our hero now has only a few days to live. Who would poison a poor guy like O'Brien? And why? Well, the only way that this account will figure it out is to do the figuring himself. And so, he sets of on a journey into his past clients, believing that perhaps he had done work for somebody he shouldn't have, and hoping he can figure out who killed him before he actually dies....
D.O.A. is a very interesting little movie. It's one of those mystery-flashbacks like The Big Clock, except that it's got a budget that's quite a bit smaller. Still, it's got more than enough twists and turns to keep you guessing, and characters that are never boring, either. Interestingly, both D.O.A. and The Big Clock were remade in the 1980s.
D.O.A. has made its way to DVD, largely because at some point along the way, it fell into the public domain. So watch out that you don't get a bad print of the movie.
Posted by Ted S. (Just a Cineast) at 9:24 AM
Thursday, December 10, 2009
I've mentioned in the past (has it really been a year already?) that Cary Grant's last movie, Walk, Don't Run, is a remake of a 1943 classic, The More the Merrier. TCM has scheduled the two movies back-to-back today so that you can watch both of them if you wish and decide for yourself which one is the better movie. The remake comes first, at 4:00 PM ET, followed by the original at 6:00 PM.
Wednesday, December 9, 2009
I mentioned both Humphrey Bogart and James Cagney in my post yesterday, and they starred in a strange movie together: The Oklahoma Kid, which TCM is showing tonight at 8:00 PM ET. What's so strange about it? As you might be able to guess from the name, the two made a western together.
Cagney plays the title character, the "Oklahoma Kid". He is a bandit who comes into town at just the right time: he's able to stop Whip McCord (Bogart) and his gang from committing a stagecoach hold-up. This bothers Whip, but he's got other things on his mind, such as running all the vice in town. Of course, he's got adversaries in the form of the local judge (Donald Crisp) and his daughter (Rosemary Lane), as well as the Kincaids; father (Hugh Sothern) is running for mayor, and the son (Harvey Stephens) is running for sheriff. Whip is going to have to get them out of the way, so he gets the Kincaids framed on murder charges. This is a big mistake though: nobody realizes that the Oklahoma Kid's real name is Jim Kincaid, and that he's the brother and son of the other Kincaids. Jim's finding out about the nefarious business is bound to lead to a western-style showdown, as well as Jim's getting the girl....
Truth be told, it's strange seeing both Cagney and Bogart in a western, even if it is one with a plot that would fit in with any of the gangster movies they were making in the 1930s. Bogart tries hard and doesn't do all that badly, but Cagney, for all his trying, always looks like the proverbial sore thumb, to the point that the movie is almost laughable. Surely, the folks at Warner Bros. knew that Cagney was miscast; legend has it that Humphrey Bogart saw Cagney in his ten-gallon hat and said Cagney looked like a mushroom! If the movie had been made as a straight-up gangster movie, it would be competent, if not as memorable as the other movies Cagney and Bogart were making in the 30s; as a western, though, it's a sight to behold, just to wonder what the suits were thinking.
Surprisingly, The Oklahoma Kid seems not to have been released to DVD. So, you'll have to watch it on TCM tonight.
Tuesday, December 8, 2009
I've mentioned the Humphrey Bogart movie Crime School briefly in the past, as it's a remake of the fun James Cagney movie The Mayor of Hell. Now that TCM is honoring Bogart as Star of the Month, and showing a bunch of his movies, we have the chance once again to watch Crime School, at 8:45 AM ET tomorrow.
Posted by Ted S. (Just a Cineast) at 7:44 PM
I'd never heard of singer-songwriter Neko Case before, but she shows up on TCM tonight as the monthly Guest Programmer, to sit down and discuss four of her favorite movies with Robert Osborne. Now, I've argued in the past that one of the good things about the Guest Programmers is that it's a good way to introduce people who might not normally be fans of classic movies to some great old films. So, it doesn't really matter whether or not somebody like me has never heard of Neko Case. If some of the peoplw who are fans of her tune in and find out that there's a wealth of great old movies out there, then great.
Actually, Case isn't presenting just four movies. Sure, she picked out four feature movies, but following each of those movies, she's also selected one of the Dogville shorts, which should be an interesting experience for non-movie buffs. (As for people who don't need the inducement of a Guest Programmer to watch lots of TCM, I know some would complain about Case's selection of feature films, but her picking the Dogville shorts is by itself worthy of making her a fun Guest Programmer.)
For the record, the Dogville shorts will be airing tonight as follows:
The Dogway Melody airs just after 9:30 PM ET, following Radio Days (starting at 8:00 PM);
The prison-themed The Big Dog House is around 12:25 AM ET, after evil Andy Griffith in A Face in the Crowd at 10:15 PM;
Trader Hound will air at about 2:50 AM, after The Third Man at 1:00 AM; and
So Quiet on the Canine Front can be seen at approximately 5:25 AM, following The Picture of Dorian Gray.
Posted by Ted S. (Just a Cineast) at 9:28 AM
Monday, December 7, 2009
I mentioned yesterday evening that TCM is showing Frank Capra's Why We Fight documentary series this morning and afternoon. In fact, TCM is spending the month honoring the director, by showing a bunch of his films every Monday evening in prime time. Capra won the Best Director Oscars, and TCM is kicking off the salute by showing those three movies tonight in succession, staring with 1934's It Happened One Night at 8:00 PM ET. That's followed at 10:00 PM by Mr. Deeds Comes to Town, and at midnight by You Can't Take it With You. I've also recommended Arsenic and Old Lace before; that's airing at 2:15 AM.
Posted by Ted S. (Just a Cineast) at 8:47 AM
Sunday, December 6, 2009
I'm sorry to say that I got the wrong date for Nightmare Alley. It's airing next Monday (the 14th) at 10:00 AM. This Monday at that time (the 7th), the Fox Movie Channel is showing the excellent, and already recommended, Night Train to Munich. (Actually, it starts at 9:30 AM.)
Over on TCM, they're honoring Pearl Harbor Day tomorrow by showing all seven parts of Frank Capra's Why We Fight series, staring with Prelude to War at 10:30 AM ET. (I have to admit I've never seen these, so I can't comment more about them.)
Nowadays, we think of geeks as computer-savvy types, or other nerd-like people. The term actually dates back a century or more, however, and referred not to computer-types, since there were no computers then, but a type of carnival performer who shocked the crowds by biting the heads off of live animals. This use of "geek" can be seen in the movie Nightmare Alley, showing up tomorrow at 10:00 AM ET on the Fox Movie Channel.
Tyrone Power stars as a carny whose job it is to draw people in to the act of phony mentalist Zeena (played by Joan Blondell). She's got an alcoholic husband (Ian Keith), but stays with him because twenty years earlier, the two of them had a very successful vaudeville mentalist act based on an elaborate code. Everybody would like that code, but the two aren't about to give it out. That is, not until the husband dies when Power mistakenly gives him some of Zeena's wood alcohol. Power eventually learns Zeena's code, and falls in love with fellow carnival performer Coleen Gray, making her a partner in what is going to be his new mentalist act.
This act becomes a huge hit on the Chicago nightclub circuit, wowing the upper class of Chicago society, and intriguing psychologist Helen Walker, who knows there has to be a code of some sort, but is unable to figure it out. It turns out, as well, that she's got a secret behind her work as well -- namely, that she's been recording the sessions with her patients, and when Power figures this out, he engages in a mutual blackmail plot with the head-shrinker to bilk her patients out of their money; he using the information gleaned from her analysis recordings. Needless to say, this goes against all the virtues of the Production Code, so you know it's not going to end up well for poor Tyrone Power.
Power's fall is just as swift as his rise, and almost as shocking, as he ends up reminiscent of Zeena's late husband. Although his partner Gray is horrified by the way he's bilking those rich people, she's still in love with him and willing to stay with him, if only she could find him -- she's had to go back to the carnival. The psychiatrist's fate is left largely unexamined. Surely she should have her license revoked for what she did, but the film doesn't focus on this. That's because the movie is about Power and his character, and he give a performance to match.
Fox has released a lot of its 1940s noirs to DVD, and even though Nightmare Alley isn't quite as much of a noir as a lot of movies, it still got released to DVD as part of the Fox noir set. At least it's been released to DVD.
Saturday, December 5, 2009
I just read the news that Richard Todd, who played the lead role in the great British war movie The Dam Busters, has died at the age of 90. The real-life Todd served in World War II, taking part in the D-Day invasion, before making a movie about that day, D-Day, the Sixth of June. Todd made several other movies at Fox in the US, but will probably be best remembered for The Dam Busters.
Posted by Ted S. (Just a Cineast) at 9:03 AM
Richard Burton did quite a bit of Shakespeare when he was on stage, but not so much in film. So, it's an interesting historical document in more ways than one to be able to see Prince of Players, which the Fox Movie Channel is airing tomorrow at 8:00 AM ET.
Richard Burton stars in this movie as Edwin Booth, a name that should sound familiar to Americans at least. Edwin was the son of Junius Brutus (played here by Raymond Massey), and the brother of John Wilkes (played by John Derek). The father and both brothers were Shakespearean actors of the mid-19th century, although of course John Wilkes went on to something much more (in)famous.
Prince of Players opens near the end of Junius' life. This being the days before the movies, actors had to do extensive touring, and this combined with Junius' alcoholism cut Junius' life short, and forced Edwin to spend a lot of time looking after his father when in fact he'd rather be acting himself. Instead, it was John Wilkes who was being groomed by the family to be the actor. But, with Junius' sudden death while on tour, Edwin was forced into action and seized the opportunity, becoming the great Shakespearean actor of his generation. John Wilkes was rather less successful, jealous of his brother's success, and, as a southerner, began developing other interests....
Or so goes the story in Prince of Players. This being a Hollywood biopic, I don't know exactly how much of the movie is accurate, particularly the melodramatic final scene. Still, it's not exactly a bad movie. In addition, it's made more interesting by the fact that, as a movie about a Shakespearean actor, it's got several scenes that involve people performing the Bard's plays. We get to see Raymond Massey do Shakespeare at the beginning, and Burton several times over the course of the film, but no John Derek. (Whether this is a good or a bad thing is a question left to the reader.) Most entertaining might be a re-enactment of the Romeo and Juliet balcony scene, set here at a New Orleans brothel! However, the more worthwhile thing is watching Burton with a couple of people who had started on stage: Ian Keith (who did a lot of movies) plays the ghost of Hamlet's father, and Eva La Gallienne (who did very little film) plays Hamlet's mother.
Prince of Players hasn't been released to DVD, and what makes this doubly sad is that the last time the Fox Movie Channel showed it, they showed a panned-and-scanned version of it. This is particularly ironic considering that the opening frames that introduce the movie as a Cinemascope production, standard to all of Fox's stuff of that era, were left in.
Friday, December 4, 2009
According to the IMDb, today is the 92nd birthday of the actress Movita. Yes, that's just Movita; although the lady had a last name it was often not used. This isn't as uncommon as one might think; in addition to all the rapper who have made-up one word names today, there are other singers-turned-actresses like Madonna and Cher (who, to her credit, has actually won an Oscar).
But, as with Movita, it's also not a new phenomenon. Apparently, it was considered "exotic" to bring in a foreign actress, and use either only her surname or her given name. Ann-Margret has made a whole bunch of movies not using her familiy name (for the record, it's Olsson). When Alida Valli first started making English-language movies, such as The Paradine Case and The Third Man, she was only credited as "Valli". (At least audiences didn't get Frankie Valli in these parts.)
It's not just the women who do it; think of the famous Mexican actor Cantinflas. And, it's not just the people in front of the camera. Using just one name seems to be a surprisinly common practice for costume designers: Irene, Adrian, Renié, and Travilla (the last name of a man, William Travilla) all spring to mind; there's also the hyphenated Orry-Kelly and Jean-Louis.
Finally, there are a couple of composers who come to mind. In the movie Detour, composer Leo Erdody only uses her last name. And, of course, there's multiple Oscar nominee Frank de Vol, who later in his career ditched the last name, giving the screen credit, "Music by de Vol", as though this somehow made his music more elegant.
Posted by Ted S. (Just a Cineast) at 9:36 AM
Thursday, December 3, 2009
The news has been announced that cable giant Comcast and General Electric have apparently reached a deal for Comcast to get a majority stake of NBC/Universal and the various properties it owns.
What does this mean for us classic movie fans? Probably not much. NBC/Universal of course owns the Universal Studios movie library, as well as several hundred Paramount titles from the dawn of the sound era through the end of the 1940s, which Paramount had sold to MCA back in the 1950s when nobody realized just how big of a business showing old stuff on TV was going to become. NBC/Universal also runs a bunch of cable channels, although currently none of them that I can think of show much in the way of classic movies.
If the takeover does affect us, it's probably in a rise in the price of our cable or satellite bills. Comcast owns the sports channel Versus, and has apparently been trying to jack up the rice for carriage rights, to the point that DirecTV decided it won't pay what Comcast is asking. That having been said, I'm surprised NBC/Universal never even really seemed to try to figure out a way to make money of all those old movies. Apparently it really is more profitable to show crummy infomercialslate at night instead of the library of movies they own.
Posted by Ted S. (Just a Cineast) at 9:27 AM
Wednesday, December 2, 2009
TCM's Star of the Month for December, 2009 is Humphrey Bogart, and they're honoring him by showing some 60 of his movies. In order to do that, they need to devote one entire 24-hour block each week to him. That started at 6:00 AM this morning, and will continue every Wednesdy throughout the month. By the time this gets posted, you'll have missed Three on a Match, but of course I've already recommended it, and it's made its way to DVD as well. A Bogart movie that's even less known is One Fatal Hour (also known as Two Against the World), airing at 5:00 AM ET tomorrow morning.
Bogart stars as a programmer at a New York radio station that's losing the ratings war. In order to try to get people to tune in, they come up with a lurid idea: find Martha Carstairs, a woman who was involved in a celebrated murder case 20 years earlier, and run a series of programs about the case leading up to revealing the whereabouts of the real-life Martha in the last episode. Unfortunately for the radio people, the poor woman has tried to live a respectable life since the trial, remarrying to a good man, and having a daughter who is now engaged to be married into the uppercrust. It goes without saying that the intrusion of the media turns everybody's lives upside-down. Not only is Martha furious because she wanted to leave her past in the past; the incident threatens her completely innocent daughter's marriage.
Bogart was not yet an A-list star when he made One Fatal Hour, meaning that we "only" get him in a zippy B-movie here. That having been said, it is fast-paced and, while not without its flaws (the rest of the cast besides Bogart is decidedly even less than B-list), Bogart does a good job, and the under-an-hour running time means you'll never be bored. That having been said, One Fatal Hour is a remake of a much better movie, 1931's Five Star Final, which starred Edward G. Robinson and was set in the newspaper world. Neither movie seems to have been released to DVD, which is a shame.
Tuesday, December 1, 2009
TCM is showing a night of movies about explorers tonight, starting at 8:00 PM ET with The Far Horizons, a movie about the Lewis and Clark expedition. Now, I have to admit that I haven't seen the movie before, and so can't comment much on it, but the casting looks hilarious: Fred MacMurray gets top billing as Meriwether Lewis. (Clark is played by Charlton Heston, who had played other historical figures in his career, notably Andrew Jackson in The President's Lady, and wasn't that bad playing Jackson.) If MacMurray is bad enough, consider that their Indian guide, Sacajawea, is played by... Donna Reed. Yikes.
There are lots of bad casting decisions out there, with historical movies being a good source for such miscasting. If you get the chance to see the Fox movie The Virgin Queen (about Elizabeth I of England) or Esther and the King (about the Old Testament book of Esther and ancient Persia), you can see in both movies... Joan Collins. I've also mentioned Cary Grant before, complete with dreadful wig, in the Revolutionary War movie The Howards of Virginia.
Of course, there are actors who were fine doing historical movies. Spencer Tracy showed up last week as the captain of the Mayflower in Plymouth Adventure, and was quite good in it. He also does pretty good work in the Revolutionary War movie Northwest Passage.
Charles Laughton, however, might be the best of the classic era actors when it comes to historical work. He was outstanding as Henry VIII in The Private Life of Henry VIII, did a good job as Rembrandt, and was even an enjoyable Emperor Nero in The Sign of the Cross. Never mind what might be his most famous role, as Capt. Bligh in the 1935 version of Mutiny on the Bounty.
Posted by Ted S. (Just a Cineast) at 12:18 PM
Monday, November 30, 2009
TCM is showing the 1934 British version of Alfred Hitchcock's The Man Who Knew Too Much tomorrow morning at 6:30 AM ET. It's a movie that doesn't get seen as much as the more well-known remake, but it's just as interesting in its own right.
The basic story is largely the same, in that a married couple and their kid are on vacation, only for the husband to be given secret information by a murder victim, and for the kid to be kidnapped and taken to London, with the father told that the kid will be harmed if he tries to do anything with the information he's learned. However, there are also differences; the family's being British is a cosmetic difference, but the final shootout at the end is a big one.
That shootout is foreshadowed at the very beginning when the mother (Edna Best) is in a shooting competition at the Swiss ski resort where the family (father Leslie Banks and daughter Nova Pilbeam) are vacationing. As in the remake, the mother's skills might just come in handy later on. The murder takes place at a dinner dance involving a very cleverly photographed set piece that includes the unraveling of a garment and everybody getting tangled up in string, before the action switches back to London. Just as in the remake, there's another set piece at a church of some unnamed minority Christian sect. But where the remake also includes a red herring at a taxidermist's, the original has Banks and his friend going to a 1930s era dentist's office which shows that dentistry hadn't advanced too much from the days of The Strawberry Blonde. Perhaps the most interesting thing, however, is that the bad guy is played by Peter Lorre, in his first English-language role.
Which version is better? Well, that's for you to decide. Each one has its strengths and weaknesses. As for the original, it's very fast paced, which is both a strength and a weakness, in that there's not much time to develop the characters, and at times the movie feels less like a coherent plot and more like a series of set pieces. On the other hand, Edna Best's mother character is much more appealing than the one plays by Doris Day, who goes hysterical when she learns her son's been kidnapped, and is deservedly slapped around by James Stewart.
Posted by Ted S. (Just a Cineast) at 8:46 AM
Sunday, November 29, 2009
TCM is showing the 1943 Nazi version of Titanic overnight tonight at 2:00 AM as part of the weekly TCM Imports series. I've recommended this version of the Titanic story before. It's followed, at 3:45 AM, by what might be the best movie about the ship disaster: A Night to Remember.
The thing that makes A Night to Remember so much better than the other versions is that it's much more of a docudrama. Backstories involving other characters, as in the Barbara Stanwyck/Clifton Webb movie from Fox in the early 1950s, or the overblown James Cameron movie of a decade ago, are given much less weight here. That's a good thing, as this is a story that doesn't need such window dressing. What happened in real life is more than enough to make a gripping movie. And I'm personally not even a fan of all the lore that's sprung up over the Titanic tragedy.
Posted by Ted S. (Just a Cineast) at 8:29 AM
Saturday, November 28, 2009
I actually recommended The Mortal Storm just over a year ago. (It's easy to forget which movies I've blogged about, and which I haven't.) It's airing again at 4:15 PM ET this afternoon on TCM. As I pointed out last November, The Mortal Storm wasn't available on DVD, and it seems as though it's still not available, not even at the Warner Archive. This despite the fact that it's apparently one of the most asked-for movies by the folks who visit the TCM site. So, you'll have to catch today's airing on TCM.
Posted by Ted S. (Just a Cineast) at 8:15 AM
Friday, November 27, 2009
Today being the day after Thanksgiving, it's traditionally the biggest shopping day of the year. Lazy bones that I am, I figure it's a good opportunity to think about some of the better classic movies that involve department stores and selling things.
I've recommended The Devil and Miss Jones several times before. Charles Coburn infiltrates his department store in order to find out who's leading a labor dispute, only to discover he likes the workers.
That's probably not as well known as The Shop Around the Corner, however. James Stewart and Margaret Sullavan play shop assistants who don't get along, but are also unkowing pen pals, having answered anonymous personals ads. It's actually showing this Sunday at 9:45 PM ET on TCM if you want to watch it.
Ginger Rogers plays a shop girl who's mistaken for the mother of a foundling in Bachelor Mother
Moving on to grocery shopping, Sidney Poitier takes blind Elizabeth Hartmann grocery shopping in A Patch of Blue. She, being blind and having been sheltered, doesn't realize that you're supposed to take the oranges from the top of the pile.
And, Lucille Ball and Henry Fonda meet in the PX each dragging cart after cart of groceries, in Yours, Mine, and Ours, which is airing today at 2:00 PM ET on TCM. Despite carrying that many groceries, they pay what seems like a decidedly small amount of money for it all. (Well, it was probably a lot in 1968 dollars.)
Posted by Ted S. (Just a Cineast) at 8:21 AM
Thursday, November 26, 2009
Tonight is the final night of TCM's Star of the Month salute to Grace Kelly, as well as the American Thanksgiving holiday. So, to make my post suitably brief for the holiday, I'll mention a short that concludes TCM's look at Kelly: The Wedding in Monaco, airing overnight tonight at 2:00 AM ET.
When Kelly left Hollywood to marry Prince Rainier, MGM got the rights to go places in Monaco where the other media couldn't, with the result being this half-hour color look at Kelly's move to Monaco in the run-up to her wedding, and the city-state as it was in the mid-1950s. There's no coverage of the actual wedding ceremony -- the Monegasque authorities wouldn't allow that -- and little if any comment from either the Prince or Princess themselves. Most, if not all, of the events are described by an off-screen narrator, in the best tradition of James A. FitzPatrick and his Traveltalks shorts.
Wednesday, November 25, 2009
Tomorrow being Thanksgiving, TCM has a more prominent than normal theme planned: a bunch of movies starring Fred Astaire and Ginger Rogers. Normally, TCM begins its programming day at 6:00 AM ET. But in the case of the Astaire-Rogers movies, TCM has for whatever reason decided to start earlier. (One benefit, I suppose, is that we get more of Fred and Ginger.) The first of the movies TCM is showing is the one which first teamed up Fred and Ginger: Flying Down to Rio, at 4:30 AM ET tomorrow. Fred and Ginger weren't supposed to be the stars of this movie, although their dancing the Carioca made them stars. (But then, I've blogged about this before.)
Posted by Ted S. (Just a Cineast) at 1:23 PM
Two months ago, I recommended the Richard Widmark movie Road House. TCM is airing it tonight at 8:00 PM ET, as part of the month-long salute to Johnny Mercer. Ida Lupino plays a singer here and sings "One for My Baby", which has lyrics by Johnny Mercer. I admit to not being very expert about songwriters, but IMDb claims that's the only Mercer song in the movie. Still, any excuse to show Road House is a good one.
Posted by Ted S. (Just a Cineast) at 8:31 AM
Tuesday, November 24, 2009
TCM is showing one of the odder movies about Hollywood to have been made: Hollywood Party, tomorrow morning at 6:00 AM ET.
Jimmy Durante stars as movie star Schnarzan, a name which you can probably guess is derived in part from Durante's bulbous nose, and partly from the fact that he's playing an actor who does Tarzan-like jungle movies. The only problem is that his movies have lost their freshness, and with that, their audience appeal. There's just the solution for him in that a famous explorer is coming back from Africa with new lions. But, Schnarzan's cinematic rival also wants those lions. What's an actor to do? Throw a wild Hollywood party with every star known to man, and impress the explorer into signing a contract for the use of the lions.
That "every star" (or in this case every B star, although there were apparently plans to film scenes with a bunch of the A-listers, too) is little more than an excuse for a series of comedic sketches, interspersed with Busby Berkeley-like musical numbers, wrapped around not much of a plot. Laurel and Hardy get top billing in the movie, but don't show up until the end to do a scene with Lupe Velez, who also plays Schnarzan's equivalent of Jane. In their defense, though, the scene is quite funny. The Three Stooges also make a brief appearance, together with their then-manager Ted Healy. There's also a forgettable subplot about an oilman, and their daughter who's being chased by a suitably photogenic young man. Perhaps the highlight, however, is Mickey Mouse. He shows up to lampoon Jimmy Durante, and then shows off a Disney cartoon in three-strip Technicolor. (At the time, Disney had an exclusive contract for the use of three-strip in animation.) How MGM convinced Disney to lend out the little mouse is a mystery to me.
Is Hollywood Party movie good? Well, it's one of those movies that's more interesting than objectively good, although it's also so warped that you can't help butch watch in fascination to see what will come next. As the tag-line for the Schnarzan movie-within-a-movie goes, "Don't miss this if you can!" Besides, if you do miss it, you won't be able to find it on DVD.
Posted by Ted S. (Just a Cineast) at 12:48 PM
Monday, November 23, 2009
Jacqueline White, who was born on this day in 1922, is another of those Hollywood names that might sound familiar to you. It's with good reason. Although she retired from acting after she got married in 1950, she had important roles in a couple of very underrated movies. First, she played the wife of the suspect in Crossfire. It's a character that doesn't show up until a good ways into the movie, but she still has a meaningful part to play.
More important, though, is her role in her final movie, The Narrow Margin. She plays the woman in the compartment next to Charles McGraw and Marie Windsor, a woman whose son thinks -- rightly so, as it turns out -- that McGraw is up to something. (He's just wrong about the nature of that something.)
TCM, however, has decided to spend this evening honoring another birthday girl, that being 1930s child star Sybil Jason, who is still alive at the age of 82. Truth be told, I don't think I've seen any of tonight's Sybil Jason movies yet, which is why I'm not blogging about them.
Posted by Ted S. (Just a Cineast) at 1:53 PM
Sunday, November 22, 2009
Tonight's prime time lineup on TCM starts with Violent Saturday, at 8:00 PM ET. Lee Marvin, Stephen McNally, and J. Carrol Naish play three men who come into the lives of a small California town when they decide they're going to rob it one Saturday afternoon at closing time. What they don't realize, however, is that the town hsa a lot of secrets, just like Peyton Place, New Hampshire, and the movie combines the various backstories of the townsfolk with the robbery plot. It's also an excuse to give the viewer an all-star (or all semi-star) cast.
Unfortunately, it doesn't completely work, although it's always interesting seeing just how many different stories and actors they can cram into this sort of thing. In the case of Violent Saturday, that means Victor Mature as the town coward, who didn't serve in World War II and is ashamed of that fact; Sylvia Sidney as the town's kleptomaniac librarian; Tommy Noonan as the bank manager, who also happens to be a peeping Tom; and a nurse who could make everybody a peeping Tom. Perhaps the most fascinating story, however, is that of Ernest Borgnine. Here, he's cast as an Amish farmer who for whatever reason has decided to try to make a go of it in California (how many Amish are there in California, anyhow?). The Amish are, of course, non-violent by their religious teaching, but the bank robbers have decided that Borgnine's secluded Amish farm would be a great place to hide out after the heist. They do return, bringing violence with them, which might just make Borgnine rethink his pacifist stance....
Violent Saturday is, as I said, a movie that has problems. Lots of problems. But it's also quite fun and well worth seeing. Unfortunately, it doesn't seem to have made it to DVD yet.
Saturday, November 21, 2009
Al Jolson does a good job in The Jazz Singer, but he didn't seem to keep his singing style up to date, making his later movies a bit more difficult to watch. If you enjoy him, however, you can watch one of his rarer movies, Hallelujah, I'm a Bum!, tomorrow morning at 8:30 AM ET on TCM.
Jolson plays Bumper, the nominal head of New York's bums, who goes south every winter and surprisingly is on speaking terms with the Mayor (Frank Morgan). Back in New York, Bumper lives in Central Park with the rest of the bums, while the Mayor is carrying on a relationship with June (Madge Evans) that seems to be on-again, off-again. During one of the off-again periods, the Mayor gives June $1,000 (a pretty nice sum for 1933), although she loses the purse in which she put it. Meanwhile, she's despondent about his breaking off the relatoinship with her, so she tries to jump in the river. However, instead of killing herself, she gets saved by Bumper while also developing a case of amnesia during the attempt. You can probably guess what happens next: Bumper falls in love with June, tries to make good, only to find that she's the Mayor's girlfriend, and he's decided he wants the relationship to be on again.
Hallelujah, I'm a Bum! is a movie that wanders around a bit, going between high society and the bums, although not doing it nearly as well as My Man Godfrey. It doesn't help that these bums seem to be proud of the "freedom" they have, having dropped out of society like members of a 60s hippie commune. Bumper splits the $1,000 evenly with them, but when he tries to make good by getting a real job so he can support June, they don't seem to like it. The worst thing about the bum scenes, though, is the fact that the screenwriters decided to experiment by having most of their dialogue being in rhyming couplets, which very quickly becomes irritating.
Ultimately, Hallelujah, I'm a Bum! is interesting as an experiment, and for its songs by Rodgers and Hart. Unless you're a fan of Al Jolson, though, it's not so well-executed as an actual story.
Posted by Ted S. (Just a Cineast) at 9:35 AM
Friday, November 20, 2009
The movie that shows up much less frequently than How Green Was My Valley that I'd like to recommend is No Greater Glory, airing tomorrow morning at 8:30 AM on TCM.
Based on a novel by Ferenc Molnár (who also wrote the play Carousel, and the play on which One, Two, Three was based), it's set in the world of Berlin's children in the period between the wars. There are two rival "gangs", the Paul Street Boys (led by Boka, played by Jimmy Butler), and a gang led by Feri Ats (played by Frankie Darro). Feri Ats' gang is more powerful than Boka's, but this is really more kids' stuff than real hooliganism and organized crime. Feri Ats and his gang have decided to take over the lumber yard where the Paul Street Boys have their "headquarters", but this being kids' stuff, they have rules about this stuff, and it's really more a game of capture the flag than anything else.
In the middle of all this is little Nemecsek (George Breakston). He's the sort of kid who would generally get picked last for all the kids' games and, being that kind of young boy, wants desperately to fit in with the bigger boys. However, he's also a sickly boy, and he really shouldn't be out playing war with the others, because he's suffering another attack of ill health. But, he's so set on fitting in that he goes out anyway, even if it means he could get seriously ill.
No Greater Glory wasn't one of Columbia's "prestige" movies when it was released, but it's surprisingly good. The child actors aren't cloying at all, although it helps that one of the male leads was Darro, who had already appeared in dozens of movies despite being all of 16 when this was made. As for the other two leads, they had much differing futures. Breakston had previously appeared as the bus passenger with the sick mother in It Happened One Night, but after this would go on to play "Beezy" in the Andy Hardy movies, and, as an adult, become a director. Jimmy Butler didn't have it so good, though. He kept working in the movies until World War II came, but left Hollywood to serve. He died in France in February 1945 at the age of 23.
No Greater Glory, being one of those rarer Columbia Pictures films, has not made it to DVD, and probably won't any time soon. You'll have to catch the TCM airing.
Posted by Ted S. (Just a Cineast) at 12:42 PM
I can't believe I haven't blogged about How Green Was My Valley yet. I did mention about a year ago that it would be a good movie to show as part of the Fox Movie Channel's Fox Legacy series. Not that the folks at FMC read my blog, but How Green Was My Valley is part of the current season's Fox Legacy lineup. In fact, it's airing tonight at 8:00 PM ET, with the repeats at 10:30 PM and 1:00 AM.
Unfortunately, the full-length blog post about the movie is going to have to wait a little longer, as there's something much rarer that's coming up next.
Thursday, November 19, 2009
Today marks the 71st birthday of Ted Turner. He wasn't much of an actor. He would have been about the right age to appear in those Frankie Avalon beach movies of the early 60s, and probably would have been no more wooden than a lot of the cast members of those movies. He wasn't much of a writer either; IMDb lists only two writing credits, which includes the dreadful propaganda of the Captain Planet animated series. He was also Mr. Jane Fonda for a while. But for those of us who are classic film fans, his enduring legacy will be the cable movie channel which bears his name, TCM. So, happy birthday greetings to Mr. Turner, and here's to many more years of great movies on TCM!
Posted by Ted S. (Just a Cineast) at 9:19 AM
Wednesday, November 18, 2009
Today marks the 100th anniversary of the birth of lyricist Johnny Mercer, and TCM is spending the entire 24 hours showing movies with Mercer songs. Mercer wrote the lyrics to the title song in Autumn Leaves, which is airing today at 2:00 PM ET.
Joan Crawford stars as a spinster who makes her living as a typist. One day, however, she goes to the local diner and meets Cliff Robertson, who seems to be getting away from it all. It's obvious they're going to fall in love, and they do, eventually getting married. However, there seems to be something not quite right about Mr. Right. He seems to be a compulsive liar, which obviously means that he's hiding something. Or, in this case, multiple somethings. One, he was married before! Two, it seems as though he's got a mental instability he failed to tell her about. And three, he's in line to inherit a piece of property that his mother owned, but his father (played by Lorne Green) doesn't consider him mentally fit to run it, so father wants son to transfer the property to him and the ex-wife (played by Vera Miles). Of course, the father has some secrets, too....
Autumn Leaves is one of those movies that was right up Joan Crawford's alley in the mid-1950s. It's got all of the melodrama of a Douglas Sirk movie (although, like Peyton Place, Sirk did not direct it; that honor goes to Robert Aldrich), giving Crawford ample opportunity to show off her strident acting style. Is it a great movie? Oh, God, no. It's got some laughable moments, including one with Joan's typewriter, although these scenes are intended to be serious. There's another scene of Joan and Cliff making out on the beach, in the From Here to Eternity style. And Crawford flinging the word "slut".... In short, Autumn Leaves is overblown fun.
It hasn't been released to DVD yet, though, so you're going to have to catch the TCM showing.
Tuesday, November 17, 2009
At 8:00 PM ET tonight, the Fox Movie Channel is showing Mother, Jugs, and Speed. Like The Firemen's Ball, it's a black comedy involving the emergency services. But that's about where the similarity ends.
Bill Cosby stars (even though he only gets second billing) as "Mother", an ambulance driver working in a less affluent part of Los Angeles in the mid-1970s for a struggling private firm. The company isn't getting paid enough by the county for its services, and they have to compete with another ambulance company. This leads Mother and his colleagues to do everything they can to get patients -- by hook or by crook -- as well as to become very cynical. Mother, for example, likes to drink on the job, keeping a cooler next to the driver's seat; he also likes to frighten the local nuns by stopping while they cross the street, and then turn the siren on in the middle of their crossing the street, frightening the bejeezus out of them.
In the midst of all this is "Jugs", played by Raquel Welch. She's the dispatcher for the company, and the object of most of the EMTs' affections. Jugs, however, has been fairly assiduous about refusing their advances, to the point that they all wonder what she's doing in her spare time. (It turns out she's taking courses learning how to become an EMT herself.) Finally, there's "Speed", played by Harvey Keitel; Speed is a cop who has been put on suspension for allegedly selling drugs to minors. He was an ambulance driver in the Vietnam War, and figures that this is the only way he can make a living while his legal issues are resolved.
Together and separately, the three principals, and an interesting cast of crazies, through the tough world that was the lower-class Los Angeles of the 1970s. It's at times funny, such as when an overweight older lady fractures a hip falling off a chair, and the EMTs have to get her on the gurney and haul her down several flights of stairs. You can imagine what happens next. However, there are also calls such as the drug-addled woman who comes out of her bungalow carrying a shotgun, and seemingly prepared to use it.
Among the crazies are Larry Hagman as a sex-starved blowhard colleague of the EMTs; Dick Butkus as another EMT; and singer Toni Basil as one of the patients. Mother, Jugs, and Speed has been released to DVD, and is apparently even available as part of a box set of Welch's work which includes One Million Years B.C..
Monday, November 16, 2009
IFC is showing the Miloš Forman movie The Fireman's Ball tomorrow morning at 7:00 AM, with a few more repeatis later in the day. Although it's set in the Czechoslovakia of the mid-1960s, a lot of what happens is reminiscent of small-town politics in America.
The story deals with the local fire department. Their old chief, who served for over 50 years, is turning 86 and dying of cancer, although nobody wants to tell the poor old man he's dying. The fire department decides to hold a ball in his honor, and provide him with a ceremonial fire axe at the end. However, everything that can go wrong does, starting in the very opening scene when one of the firefighters, trying to give the banner a "cool" burn effect, gets stuck hanging from the banner when the ladder falls out from under him. You can tell this is going to be a funny movie.
Funny it most certainly is, although a lot of it is also dark humor. As part of the ball, the fire department is holding a raffle of donated goods -- but one by one, the items off the raffle table keep disappearing, and it seems as though anybody, or everybody, could be in on the petty larceny. The firemen want a nice young lady to present the fire axe to the old man, so they decide to hold a beauty contest and have the winner perform that pleasant duty. So they dragoon all the young ladies at the ball into trying to take part, even though none of them wants to be involved, and they're all average-looking at best, anyway.
Just when you think things couldn't get worse, the party is interrupted -- by an actual fire. The fire department isn't entirely competent, and when they finally get to the fire, they find an old man's farmhouse burning down, with him outside next to his few remaining possessions. There's not much they can do for him, so they turn his chair around in order that he won't have to look at the fire! It's also winter, and the man is cold, so the firemen decide that the only thing they can do about it is to move the chair closer to the fire. The poor old farmer.
The Fireman's Ball got Forman in a lot of hot water with the communist authorities because they quite rightly saw it as a biting satire on the communist system and how it forces people into petty corruption in order to make their way through life. What Forman probably couldn't have realized is that a lot of this happens to a greater or lesser extent in small towns everywhere. Having grown up in a small town myself where everybody knew everybody else and the volunteer fire department and the ladies' auxiliary were two of the main social clubs, with the attendant penny socials and pancake breakfasts, I know how easy it is for such small town institutions to attract people who seem to want to be petty tyrants, or at least have their own little fiefdom to have control over. It's funny because it's true, as they say.
The Fireman's Ball is available on DVD, but as with a lot of foreign films, it's a more pricey DVD than Hollywood studio movies.
Sunday, November 15, 2009
After Piccadilly and tonight's TCM Import, you can tune in for another excellent movie at 4:00 AM ET: A Matter of Life and Death.
Left-aligned photo David Niven stars as British pilot Peter Carter, returning from a bombing mission in the final days of World War II. Unfortunately, his plane has been stricken and is on fire, with everybody else in the crew either already dead or having bailed. That option isn't available for Carter, as his parachute has been ripped to shreds. He calls for help on the radio, getting June, a young American WAAC operating the radio on the other end (played by Kim Hunter), eventually telling her that he's going to jump out anyway, because he'd rather die in the fall than be burned to death.
Fast forward to morning. Peter is shocked to discover that he's woken up, and is apparently not in heaven, but still on terra firma. In heaven, we discover that there's a problem: the Mr. Jordan-like character (played by Marius Goring) who was supposed to accompany Peter to heaven was unable to do so: it seems as though that blasted English fog caused him to lose track of Peter and let him get away. Peter, having seemingly cheated death, heads for town, where he finds June, and falls in love with her.
But, this isn't a happy ending for the two hunters. Heaven isn't about to allow an administrative error to keep Peter from his appointed date in heaven, as this would cause chaos in the cosmic order, and the heavenly guide eventually finds Peter, informing him that he's going to have to go to heaven as he's supposed to be dead. Peter is unwilling to accept this, as it wasn't his fault that the afterlife screwed up, but he's also not able to make anybody believe his predicament. Eventually, though, he's able to get June and Dr. Reeves (Roger Livesey) to -- possibly -- believe him, and make a deal with the folks in heaven: there will be a trial to decide whether or not Peter should get a reprieve because of Heaven's error.
A Matter of Life and Death is an outstanding romantic fantasy, even better than Here Comes Mr. Jordan. All the main leads turn in excellent performances, and the cinematography is wonderful. The movie has the conceit of being partly in color and partly in black-and-white, like The Wizard of Oz; unlike Oz, however, the use of color is reversed, with Heaven getting the black-and-white scenes and the real world getting color. It's an interesting idea, and one that, combined with the cinematography and excellent set design, makes the afterlife look timeless. All this excellence, however, shouldn't be a surprise considering that the movie was directed by Michael Powell and has a screenplay by him and his frequent collaborator Emeric Pressburger.
A Matter of Life and death has been released to DVD.