Sunday, May 24, 2015

New app to promote film tourism in Czech Republic

For those of you who are going to be going to Prague in the near future, this report from Radio Prague's English service may be of interest:

In roughly a fortnight the state agency CzechTourism is launching a new app in for both Czechs and visitors from abroad planning vacations. Entitled, Czech Film Trips, the app will highlight hundreds of locations and feature photos and clips where numerous famous productions were filmed. I spoke to the project manager Jiří Dužár about the product which should be a big success.

For whatever reason, this particular link doesn't have a transcript of the program, unlike most of Radio Prague's output. There's a plug-in for streaming audio, as well as a direct link to download the program. The direct link is 4.1 MB, which should be a little under nine minutes. (I downloaded the entire Saturday program rather than the individual features.)

If I understood the report correctly, the app hasn't actually been released yet; that's going to be in a couple of weeks.

Memorial Day at FXM

I mentioned briefly yesterday that FXM was getting involved with the Memorial Day spirit. The part of the channel that runs from 3:00 PM to 3:00 AM has been airing more recent films, such as Zero Dark Thirty, only with commercial interruptions, and probably edited for content. But FXM Retro is going to be getting into the swing of things with a series of military themed movies tomorrow.

Actually, it starts early this afternoon at 1:20 PM with Circle of Deception, which has Bradford Dillman playing a man who gets sent on a dangerous intelligence mission in Nazi-occupied France with the expectation of his superiors that he will fail. In fact, they want him to fail, since they've given him false information that he doesn't know is false, and they want him to break under Nazi torture and spill that false information to the Nazis. It'll be getting a second airing at 7:45 AM Monday.

Starting off the FXM Retro lineup on Monday at 3:00 AM is King of the Khyber Rifles. It's military, but not really Memorial Day themed, as star Tyrone Power plays a mixed-race man who serves in the British army in colonial India and has to deal with gun smuggling along the border.

That's followed at 4:45 AM by 13 Fighting Men. This one is set in the day or two immediately after the South surrendered in the Civil War, and has a group of Union soldiers trying to get home, although they have to defend a shipment of gold. Confederates hear about the gold want it, in part so they can shaft the Union, and in part because it would allow them to start new lives.

At 6:00 AM is All Hands on Deck, a service comedy starring Pat Boone and Buddy Hackett as navy men who get into all sorts of trouble. It's probably a bit more appropriate for Veterans' Day than Memorial Day, but not noticeably out of playce here.

After the repeat of Circle of Deception, at 9:30 AM you can watch In Love and War, starring Robert Wagner and Jeffrey Hunter as Marines who serve in the Pacific in World War II, and how this affects their lives.

Finally, at 11:30 AM, we get the return of Tyrone Power in a more appropriate movie for Memorial Day: A Yank in the RAF. Power plays a transport pilot who decides to volunteer for the RAF (since the US wasn't in the war yet) because an old flame of his (Betty Grable) is also in the UK, entertaining the troops. It's a bit unrealistic, but entertaining enough.

Saturday, May 23, 2015

Memorial Day shorts

We're well into the Memorial Day weekend, which as always means a bunch of military movies on TCM. (FXM will be getting into the spirit of things too, especially in the evening block, but with some war movies on Monday, too.) Some years, there have been quite a few war-themed shorts, although this year seems to be different.

I could swear that I'd mentioned the short on The United States Navy Band, which you're likely to miss since this is airing Saturday at 5:19 PM. Instead, I've briefly mentioned a similar short on the Marine Corps Band . Warner Bros. made those two, as well as one with the Army band, and one with the "Army Air Force Band", seeing as the Air Force proper wasn't created until after World War II ended.

If you want another war-themed short, TCM is offering America, Preferred at 12:06 AM Monday (ie. between Sunday night and Monday morning, just before the Silent Sunday Nights feature), which exhorts people to buy defense bonds. There's also a featurette on the making of The Dirty Dozen which will be airing at about 5:15 PM Monday following The Dirty Dozen.

The other shorts airing on TCM, this weekend, have little or nothing to do with the military. There's an RKO-Pathé Sportscope look at the sport of Ski-Flying at 7:50 PM this evening, as well as a Little Rascals short Don't Lie a little after 7:45 AM Sunday.

Enjoy the holiday weekend!

Marty Pasetta dies at 82

Marty Pasetta is another of those names that I wouldn't have recognized, but apparently he was the director for the Oscar telecast for 17 years in the 1970s and 1980s. His death deserves a bit of mention not just for that, but for the freakish way in which it happened. Apparently, he was a passenger in a car with a group of people. He got off at his destination, but everybody else got out of the car too, with the car still in gear. So the car went off and struck its passengers, killing Marty. Or at least, that's what the description seems to imply.

I hate to be morbid, but there's got to be some old movie that has scenes of a car going off on its own only without the killing people. Actually, no, I don't hate to be morbid at all. Coming up with movies of ridiculous death scenes or funny disasters is fun, which is why people like seeing these things. I think it was Mel Brooks who said, "Tragedy is when I get a paper cut on my finger. Comedy is when you fall into an open sewer and die."

Friday, May 22, 2015

A Little Romance

TCM is today marking the anniversary of Laurence Olivier's birth in 1907 with a bunch of his films. They're concluding at 6:00 PM with the charming A Little Romance.

Laurence Olivier doesn't show up for a while, and even though he gets top billing, he's not really the star of the film. That goes to the two juvenile leads. First is Diane Lane, playing a 13-year-old girl named Lauren King. She's living in Paris with her mother Kay (Sally Kellerman) and stepfather Richard (Arthur Hill), who is working for some multinational doing big business stuff. While Stepdad is away, the mice, or in this case Mom, will play. There's an American film production doing filming on location at some Paris area palace, and Mom is carrying on an affair with the director, George (David Dukes). Not that Lauren cares; she'd rather read abstruse philosophy since she's so much more sophisticated than all of her classmates.

Somebody who does care, at least a bit, is French schoolboy Daniel (Thelonious Bernard). He's a movie buff, especially of the old Hollywood films, and he would love nothing more than to get behind the scenes of a production and see how everything is done. In this case, that's especially so because the film has a small role for veteran Hollywood actor Broderick Crawford (playing himself in a cameo). Daniel isn't supposed to be there of course, and as he's trying to get away from everybody, he runs into Lauren, who has been shunted into a corner that's out of the way since she doesn't want to be there.

You can probably guess that the two adolescents are eventually going to fall in love, and sure enough, that's what happens. This, even though they kind of have to keep their relationship a bit of a secret from the adults. The only people who do know about it are each of the two teens' best friends, who are consistently asked for assistance in getting the two to meet without getting caught out by the adults. The only adult they can trust is a stranger they meet at the park one day. Julius (Laurence Olivier) is an old man who has a fascinating life story, having lived in Robert Browning's old house in Venice, having done all sorts of interesting things with the diplomatic corps, and telling the kids about a legend that if they can kiss under Venice's Bridge of Sighs at sunset, they'll have eternal love.

Eventually, the parents find out about Lauren and Daniel's relationship, and they're none too happy about it. Stepdad decides that the best thing to do is to go back to the States, putting an ocean between the two young lovers and presuming that time will dull their love. Lauren and Daniel decide that the only thing they can do is to run off and head toward Venice, so they can have that kiss. So together with Julius, they head off for Italy. There's just one catch: the backstory that Julius told the two kids is an utter lie. In fact, he's a petty pickpocket, so when the kids go missing he's going to be suspected of kidnapping and all sorts of other horrible things.

I mentioned in the opening paragraph that A Little Romance is charming, and it is in oh so many ways. The two young leads are both excellent, coming off as much more natural than the wanna-be worldliness of, say, Julie Harris' character in Member of the Wedding. Olivier is excellent as Julius, showing what a good actor and broad range he had. Even though he's a criminal, you want him to get away with what he's doing. There's a lot of location shooting, and that is to the movie's benefit, because really, you can't go wrong with Paris and the Italian Alps. The little things in the movie are also good. Crawford only gets a couple of scenes, but they work. The first one has him showing he's really in it for the money and fringe benefits, while the second has Daniel peppering him about movies he has no memory of. (Probably because they're movies he never made; Daniel asks him about a couple of costars I think Crawford never had.) And then there are the two best friends, who provide some comic relief. Her French is lousy, his English equally bad; but you know they too could fall in love if the main story had been about them. There's also a lot for fans of old movies to like.

All in all, A Little Romance is a little film that hasn't gotten the attention it deserves, which is a shame, since it's so enjoyable. It's another of those movies that received a DVD release years ago, but has fallen out of print, since there are only a limited number of copies available at Amazon and it's not available from the TCM Shop. So catch it now while you have the chance.

Thursday, May 21, 2015

Raymond Burr, 1917-1993


Raymond Burr and Natalie Wood in A Cry in the Night

Today marks the birth anniversary of Raymond Burr, whom I find to be one of the more intriguing heavies of the 1940s and 1950s. I guess that intrigue stems from the fact that my first experience with Burr was as a good guy from TV. I don't remember whether I first saw Burr on reruns of Perry Mason or of Ironside, but in both of those he was the good guy. And of course, in those days it was only a couple of TV channels and little in the way of old movies.

Probably the first time I would have seen Burr as a bad guy was in Alfred Hitchcock's Rear Window, where he's the man wheelchair-bound photographer James Stewart sees across the courtyard going in and out at odd hours, giving Stewart the belief that the man has murdered his wife. And while Rear Window is an excellent movie, there are other movies in which Burr gets to be much more entertaining as the bad guy. After all, in Rear Window most of the conversation is among the three main players (Stewart, Grace Kelly, and Thelma Ritter) in Stewart's apartment; we only hear the other stuff as we would hear it across a courtyard in real life.

The picture at the top is from a fun if overheated movie called A Cry in the Night, in which mama's boy Burr kidnaps Natalie Wood, not realizing she's the daughter of a police officer who is going to go nuts trying to find his daughter. Burr is super-creepy here.

In Pitfall, Burr plays a man who was trying to put the moves on a woman whom Dick Powell gets involved with as part of an insurance fraud case. Burr, needless to say, is quite unhappy about this and proceeds to make everybody's life hell.

And then there's Red Light, in which future TV good guy Burr gets fellow future TV good guy Harry Morgan to kill the brother of Burr's former boss, a boss (George Raft) who sent Burr to prison on an embezzlement charge. Burr, of course, has the perfect alibi for the murder: he's still in prison. There are some serious plot holes, but the movie as a whole is entertaining.

Which movie has your favorite Raymond Burr heavy?

Out of print but on TCM: May 21, 2015

Tonight is the final night of TCM's disaster movie festival, looking at disasters at sea. The night kicks off with The Poseidon Adventure at 8:00 PM, but that's on DVD and a fairly well-known movie. (Just make certain you get the 1972 movie, not the remake.) A couple of tonight's films that I've blogged about before seem to have fallen out of print on DVD, as they're not available at the TCM Shop. I don't do the Watch TCM streaming audio thing since I've got limited bandwidth, so the films may be available there for a week, but in either case it's a heads-up that you don't have too long to catch these films.

I really enjoy the little-seen Juggernaut, airing at 12:15 AM, which stars Michael Caine as a munitions expert who gets called in to defuse a bomb put aboard an ocean liner and scheduled to go off while the ship is in the middle of the north Atlantic. One of the things I like about this film is that while you expect the bomb plot to be foiled, the unexpected way in which it ultimately does unravel.

The night concludes at 4:30 AM with The Last Voyage, starring Robert Stack as a passenger on a doomed luxury liner trying to get his wife (Dorothy Malone) off the ship which has caught fire. It's visually fun and entertaining, even if it's a mess at times.

And one movie which has nothing to do with the night's disaster movie lineup, Fire Over England, shows up tomorrow morning at 9:30 AM as part of a salute to its star, Laurence Olivier. I suppose that since it deals with the Spanish Armada, there is a bit of a disaster at sea, but that's not the point of why TCM is airing it.

Wednesday, May 20, 2015

The name sounds familiar

Tonight's lineup on TCM is dedicated to Star of the Month Sterling Hayden, or more specifically, his westerns. Not surprisingly, this means Johnny Guitar, kicking the night off at 8:00 PM. It's been six years since I've recommended it, but it's always worth a watch because it's so much campy fun.

Johnny Guitar will be followed at 10:00 PM by Top Gun. Yes, it's a western, and has nothing to do with the much better known film of the same title from the 1980s, other than the title. If you want the jet planes or the volleyball, you're out of luck. Those things didn't exist in the old west.

As I think of it, there are a lot of pairs of movies that have the same title, but are completely different movies. I've mentioned some of them before, if only because the listings services that provide the listings you see on your box guide or on Internet sites sometimes get things wrong.

So the question for today is, which pair of movies with the same title but different plots is either your favorite, or the most interesting? I would suppose that to answer that question, it depends on how you define interesting. Possessed would certainly fit one definition of interesting, because of the fact that the early 1930s and mid-1940s movies both star Joan Crawford. Another one that deserves consideration would have to be Heaven Can Wait. Not because of any interesting trivia, but because this might be the best pair of movies to carry the same title. The 1943 Ernst Lubitsch film is excellent, while the late 1970s movie is a pretty good remake of Here Comes Mr. Jordan.

So perhaps the best question might be which pair is the most different? Top Gun might be up there, while another good choice would be The Happening: M. Night Shyamalan vs. Anthony Quinn in a comic crime movie. At least one of them is good.

Feel free to provide your own examples in the comments.

Tuesday, May 19, 2015

Menacing Minors

I have a tendency to wake up quite early, and when I do, I turn on my shortwave radio and listen to Radio Australia. Most of what they air is a relay of domestic stuff, from the national network or at times the local affiliates. So, Sunday morning at 5AM my time they were running a Sunday evening chat show, which had this topic for discussion:



The guest actually had a reasonable love of movies, since he (and the host) didn't just talk about recent movies: Patty McCormack in The Bad Seed (which may or may not be pictured at left; I seem to be the only one having difficulty with getting Photobucket images to display properly) was mentioned. Also brought up was Damien in The Omen (I'm sorry I don't have any good pictures of that at hand), and they specifically discussed the original 1976 version, not the remake.

Another original mentioned was Village of the Damned. As I stated back in my review seven years ago, one of the really good things about this movie is that the story stands on its own, without much in the way of special effects. In fact, I'd suggest that it's probably better precisely because it relies on its story line and not the effects. Sure enough, in the May 2008 post, I mentioned 1940s producer Val Lewton, who relied on the same things when he was making those low-budget movies at RKO.

Obviously, they didn't mention somebody like Margaret O'Brien, whose cloying performances creep me out to no end. Then again, I seem to be one of the few people who find O'Brien creepy. And of course they didn't mention Julie Harris in Member of the Wedding. I should add that neither of them were particularly menacing.

What menacing child character would you recommend?

Monday, May 18, 2015

The Ingrid Bergman Archive

So I was listening to my Radio Sweden podcast over the weekend, and Friday's English-language program (~28 min and 26 MB) has this blurb:

and you must remember this ! We speak to the American curator housing the world's largest Ingrid Bergman collection.

The interview (available for one month) turns out to be more interesting than the archive, or at least what mere mortals like you and I can access. Located at Wesleyan University in Connecticut, the archive has a website here, although as you can see it's just a cursory introduction of the archive. The kicker is this blurb on access:

Restrictions on access: Access to this collection requires permission of the donors. Please consult the guidelines for use of Cinema Archives materials.

Sorry, I don't know any of the donors. That having been said, Wesleyan have some other collections, and there are fewer restrictions on access to the Kay Francis collection.