A movie that, for whatever reason, I had never gotten around to watching, in fact not any of the versions of it, is the 1937 version of The Prisoner of Zenda. It was on TCM in March for 31 Days of Oscar, and so I recently watched it off the Watch TCM app.
To be honest, I sort of knew the basic story. In that great romantic age of the decades just before the Great War, a British gentleman named Rudolf Rassendyll (Ronald Colman) goes on the sort of trip to mysterious central Europe that only the idle rich could afford to do in those days, winding up in some unnamed kingdom roughly where the border of Hungary and Romania would be today. He gets an odd reception, which isn't explained to him until he meets some higher-up military men. Col. Zapt (C. Aubrey Smith) informs Rudolf that he looks amazingly like their country's crown prince, also named Rudolf; apparently, the two shared a common ancestor five or six generations prior.
Curiosity gets the better of everybody, and the two Rudolfs are introduced to each other. British Rudolf does look surprisingly like the Crown Prince, which isn't that much of a surprise when you understand that the continental Rudolf is also played by Ronald Colman. His coronation is supposed to be the next day, but he parties into the night with his new best friend Rudolf.
That's a mistake though, as Prince Rudolf's half-brother Michael (Raymond Massey) has given the prince a drugged bottle of wine. Rudolf drinks all of it and is unable to be roused for his coronation the next day, something that means Michael would be in line to take the throne. So you can understand why Michael would want to commit such a dastardly deed. Zapt understands that having King Michael would be a terrible thing, so he convinces the British Rudolf to stand in for the prince, as nobody will notice the difference. I suppose it's the reverse of Richard Basehart taking off his glasses and putting on contact lenses in Tension.
Michael, of course, knows there's a ruse, since he's the one who drugged his half-brother. Worse than that, he kidnaps the crown prince, so that when the British Rudolf thinks the hare-brained scheme of being a body double for a prince is just about over, it really isn't: nobody can find the prince who is technically a king now.
Even more complicated is the fact that Prince Rudolf has a personal life, and somehow nobody close to British Rudolf who isn't aware of the ruse is able to figure out that these two aren't the same people. This is especially true of Princess Flavia (Madeleine Carroll), another cousin. She's betrothed to Prince Rudolf, but it's more one of those royal marriages of convenience. She was willing to marry the prince out of duty, but she didn't really love him. British Rudolf, on the other hand is different, and while Flavia notices a change, she can't figure out what caused it.
Meanwhile, there's still the little problem of Prince Rudolf having been absconded with and being held somewhere. His supporters are going to have to rescue him, but Michael is no dummy and has made it very difficult for anybody to rescue him.
The plot to The Prisoner of Zenda is frankly a bit daft. But it's one of those movies where you should just sit back and not try to think too much about all the plot holes. If you can do that, you'll find that it's fairly grand entertainment, at least in the fashion of 1930s Hollywood. Everybody involved does a good job, and the story never really stops moving. It's definitely worth a watch.
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