Monday, March 2, 2026

Sadly not a drama

Another of the movies that I recorded and was getting close to expiring from the DVR was the later Gene Kelly musical It's Always Fair Weather. It's on TCM tomorrow, Mar. 3, at 10:00 AM, so I've watched it in order to be able to put up this review.

The movie starts off with an introductory sequence set at the end of World War II. Soldiers are being demobbed, and three of them are spending their first day back on American soil at a bar in New York: Ted Riley (Gene Kelly), would-be artist Doug Hallerton (Dan Dailey), and Angelo Valentine (Michael Kidd). They have way too much to drink and go on a drunken dance sequence, this being a Gene Kelly musical after all. At the end of the day, the three "best friends" who made their way through Europe together vow that they'll meet at the same bar ten years from now, or October 11, 1955.

To remember this vow, each of them takes a third of a one-dollar bill and writes the date one it, so sure enough, when the main action of the film opens up on October 11, 1955 (oddly enough about a month after the film was released), they all see that they have a reminder of the day. Doug wanted to go back to Europe to become the great American artist, but wound up using his art skills to go into the more lucrative field of advertising. He's based out of Chicago, where he's in an unhappy marriage, but created the ad campaign for a New York-based slice-of-life show hosted by Madline Bradville (Dolores Gray), so he was going to be in New York anyway and shows up at the bar.

Angie had been hoping to become a quality chef, but life didn't work out that way for him either. Instead, he got married (and as far as we can tell is happily married) running the sort of hamburger joint up in Schenectady that Thelma Ritter ran in The Mating Season. And as for Ted, he's a native New York who had been hoping to become a lawyer and marry his sweetheart. However, in the opening scene on October 11, 1945, he's learned that that sweetheart couldn't wait for Ted to come home and married another man, leaving Ted embittered. Instead of becoming a lawyer, he got into the fight game, training a second-class boxer who probably had pretentions of greatness at one point but is now being asked to take a dive.

Doug has an expense account, so he offers to take his two old friends to a swanky restaurant where the three find out that they really have nothing in common other than their service in the war. Ted and Doug think Angie is a hick; Ted and Angie find Doug snobbis; and Doug and Angie see Ted's act as kind of scammy, which in many ways it is. Especially when they run into some of the staff from the show who are having a business meeting in the same restaurant. This includes segment producer Jackie Leighton (Cyd Charisse), on whom Ted immediately starts putting the moves, only to discover she's much too smart for that stuff.

Except that there's a bit of a problem, which is that the show goes live, and the subject for the show's "surprise" segment won't be able to do it. So Jackie figures a surprise segment of having the three soldiers appear together on live TV for their 10th anniversary reunion would be a great thing. Except that she doesn't quite realize that the three men, having met each other, don't really want to see each other any more. So they're going to have to engage in some minor deception to make the reunion work. Meanwhile, Jacke and Ted learn about the fixed fight, which gives some extra motivation to what goes on later that evening.

It's Always Fair Weather is another of those movies with a really good premise, that unfortunately doesn't quite work in the execution. For me, I think that's for a different reason than a lot of the other reviewers I've read. Everybody else loves the Gene Kelly dance numbers, but I found myself thinking that this is the sort of plot that shouldn't have been set to the genre constraints of a musical. It's the sort of thing that could be a drama, either serious or somewhat lighter considering the finale is clearly being played for its comic effect.

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