Another movie I watched recently was the period comedy The Great Garrick, which as far as I can tell received a DVD release courtesy of the Warner Archive.
Brian Aherne plays David Garrick, a real actor on the British stage in the middle of the 18th century, and apparently one of the most famous actors of his day. At the start of the movie he's just finishing up playing a season of Hamlet at London's Drury Lane Theater, which again we're to presume is one of the most prominent theaters in London, and hence all of Great Britain (and even the world). But Garrick tells the audience that it's his last performance in London for a while because he's received an invitation to perform with Paris' equally famed Comédie Française.
Garrick's London audience is enraged, taking it as a personal affront that he possibly thinks French actors are more worth acting with than the English. Garrick decides that the way to get out of this is to say that no, the French aren't really good actors, and that he's going to be going to Paris in order to give them a lesson on what good acting is. Somehow, this immediately changes the opinion of an audience that had no good reason to be ticked off anyway.
Somehow, news of Garrick's comments make it to Paris in those slow transportation days well before Garrick even sets out for France. You'd think they might have heard the whole story, but no. So Picard (Melville Cooper) and Beaumarchais (Lionel Atwill), heads of the Comédie Française, decide that they're going to teach Garrick a lesson rather than just rescinding the invitation. They know Garrick's itinerary once he crosses the English Channel, so they know exactly which road house he and his valet Tubby (Edward Everett Horton) are going to stay at. So they plan to get there first and play the staff and patrons of the place, putting Garrick in a compromising situation.
Now, it probably ought to be obvious to anybody that there's something amiss, as these French actors are playing the most wacky, over-the-top characters. And indeed, Garrick does figure it out pretty quickly. He decides that he's going to get back at them by showing them what true acting is.
But there's a complication. Among the people at the inn is Germaine (Olivia de Havilland), claiming to be a countess whose father has gotten her betrothed to a man she doesn't want to marry in Paris. So she's running away and can't go back to Paris. And she seems afraid of these wacky actors; perhaps Garrick can protect her. Now, Garrick obviously sees Germaine as another member of the troupe and the perfect person to try to get him into that compromising position. But it turns out that Germaine isn't part of the troupe, and actually sincerely loves Garrick. She doesn't know anything about his trying to turn the tables on those other French people, so when that jig is up, she thinks Garrick was exploiting her. By this time, Garrick has realized he's falling in love with Germaine.
The Great Garrick was based on a stage play, and I'm guessing the characters were all written to play to the back of the audience, as they're extremely broad and farcical. And to be fair, the whole act that the French are putting on at the inn is supposed to be bad. But that does make the movie a bit of a slog at times. The actors all do the best they can with the material, with de Havilland coming off best and Edward Everett Horton playing yet another of his comic relief characters.
The Great Garrick is the sort of movie that would benefit from being on a box set instead of at the price point of a standalone Warner Archive disc.
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