MGM was always the wrong studio to do certain types of movies, and I would suggest that adolescent social issue stuff was not up their alley. Things got even worse for the studio after the Freed Unit musicals dried up. Trying to be socially relevant just wasn't going to cut it, as you can see if you watch the late 1960s movie The Young Runaways. It's showing up on TCM again tomorrow, Sept. 6, at 6:00 AM, so now's the time to put up a post on it.
Now, as you can guess from the title, there are indeed young runaways, and we're introduced to them in a pre-credits opening sequences. (Or, maybe, sequences, since each of them has his or her own reasons for running away.) First is Deanie Donford (Patty McCormack), who is hanging out with the wrong crowd and staying out too late and lying to her mother (Lynn Bari) about it. Mom is so clueless that she's terrified of her daughter even uttering the word "sex". Deanie says "sex"; Mom slaps her. Repeatedly. It's funny, but this isn't supposed to be a comedy. In any case, Deanie runs away that night.
Dewey Norson (Kevin Coughlin) is a fundamentally good kid who has let his hormones get the better of him. He's been having a lovers' lane type of relationship with Carol Mae who informs him that despite having taken "pills" (this isn't all that long after the birth-control pill was introduced), she's gotten pregnant. Dewey isn't ready to be a father and can't handle the shame of telling his parents he's knocked up a girl, so he too runs away.
Finally there's Shelly Allen (Brooke Bundy), daughter of widowed PR man Raymond Allen (Lloyd Bochner). Both of them are also fundamentally decent people, although Dad with his high-powered career has made the mistake of never really having listened to his daughter. Worse, he makes the mistake of telling a client that he's been using his PR techniques on his daughter and that they're clearly working. Shelly, being thoroughly unhappy about having been called a commodity, decides she's going to run off too. She hitchhikes, but when the guy who picks her up puts the moves on her, it results in a car crash where Shelly has to flee without her suitcase. All three adolescents wind up in Chicago.
Deanie's story is almost entirely separate from the other two. She winds up in an apartment that two guys, Loch and Curly, are sharing. Both of them have heretofore been open about willing to share girlfriends, but this time Loch wants to keep Deanie for himself. Curly drinks too much, and this leads to tragedy. It's also the less interesting story.
Dewey looks for a place to stay and spends a night with a "guru" (Dick Sargent of all people, playing another totally non-grifting person) before getting a job at a gas station and having to deal with a former resident of the guru's settlement house who's dishonest and expects Dewey to help him. (That's a very young Richard Dreyfuss who's name is relatively high up the credits but whom I didn't recognize.) Dewey gets a small apartment of his own and meets Shelly one night out in the rain.
Shelly was taken in by two other girls who are more or less being pimped out by the boyfriend of one of them. The two girls give Shelly a place to stay, and even some clothes to wear, but it's obvious they want her to get involved in being pimped. When Shelly doesn't want this, she runs away, and everybody else is worried she's going to squeal to the police, so they try to find her to prevent that, which forms the climactic finale.
As I said at the beginning, this was made by MGM, who clearly didn't know how to handle such a topic. Imagine, if you will, that Jack Webb had been blacklisted and had somebody front for him while he wrote the sort stories you'd see on Dragnet. That's basically what you get here. It's terrible, but it's funny in an unintentional way. Oh, and there's terrible 60s music of the sort that's trying to be relevant but sounded old-fashioned even back in the 1960s. The other half of the fun is looking for all the the names in the credits. Norman Fell, with a mustache, plays Deanie's dad, James Edwards is the police detective, and Isabel Sanford gets one scene as the Allens' maid.

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