Back on Easter, TCM ran a whole bunch of religious-themed movies. One that I made it a point to put on the DVR since I hadn't done a post on it before is the 1927 silent version of The King of Kings. It's available on a two-disc set from Criterion, so I finally got around to watching it to do a post on it.
The movie starts off with a two-strip Techniolor scene that isn't out of the Bible. Mary Magdalene (Jacqueline Logan) is in the sinning portion of her life, living it up with a bunch of Romans at a party that has a feast and a leopard among other things. She's irritated, however, that her boyfriend Judas Iscariot (Joseph Schildkraut) isn't there. She's informed that Judas has taken up with this carpenter from Nazareth, whom some people are treating as a messiah. So she sets of to find Judas and win her away from the carpenter.
Of course, the carpenter is Jesus (H.B. Warner, who was past 50 when he made this even though Jesus is generally considered to have been in his early to mid 30s when he was crucified). And if you know your Bible stories you'll know that Mary Magdalene winds up falling in with Jesus rather than winning Judas back for herself. As for Judas, you'll recall that his fate is to betray Jesus for 30 pieces of silver.
Anyhow, the Jesus in this movie performs various of the miracles that were depicted in the Bible, with director Cecil B. DeMille using intertitles containing verses from the Gospels, all meticulously cited. (The intertitles for establishing scenes use new material.) Among the miracles are the Lazarus story, healing the afflicted and making the blind see again. Other non-miracle portions of the Bible used are the famous stoning of the adulteress scene, as well as Jesus helping Peter (Ernest Torrence) pay his taxes by catching a fish with a coin in its mouth. DeMille strays from the Bible by having the Romans react by trying to catch fish themselves in the hopes that those fish will similarly have coins in their mouths!
Jesus ultimately makes it to Jerusalem, since that's where he's supposed to be crucified. He finds that the temple has been taken over by a corrupt group of rabbis led by Caiaphas (Joseph Schildkraut's real-life father Rudolph). The Romans, led by Pontious Pilate (Victor Varconi), want to find this meddlesome messiah, and finding him a threat to Roman authority, crucify him, only for Jesus to be resurrected on the third day.
The King of Kings is one of those movies that's a bit more difficult to judge, largely because it's based on material that would be very well-known anywhere in the western world. The movie is very well-made for the most part, although at times it gets close to going over the top. Jesus is presented using lighting that makes him almost glow -- we get the point already, although it's hard to avoid when you've got a character who as the son of God is supposed to be perfect.
The one flaw I found is that the movie really began to drag. There were actually two versions: a general release print that ran about 112 minutes, and a roadshow version that clocks in at about 156 minutes. TCM ran the latter, and I couldn't help but think the story could have been told in the shorter run time. (The Criterion release apparently contains both prints.)
For anybody who has in interest in Biblical movies, I can't see why they wouldn't find this an excellent addition to the genre.
Campbell’s Kingdom
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